There is little in my intuition of human nature that helps me understand
Ramsay and Roose Bolton.
A mere superficial examination reveals that their relationship seems to
obey contradictory dynamics.
Roose has done much for his bastard. He let him live. He accepted,
apparently, that Ramsay murdered his trueborn heir. He made him his heir
and arranged that he would become lord of Winterfell. Moreover he seems
to anticipate that Ramsay would murder any son born of the marriage with
Walda Frey.
On the other hand, Roose disparages Ramsay. He is not confident in his
hability to rule the north. He professes contempt for his bastard, even
doubts that Ramsay is truly his son. Roose's political analysis of the
situation in the north seems to leave little hope for Ramsay to prevail.
In Winterfell, Roose and Ramsay don't seem to talk to each other.
We are going to have a precise look at several aspects of those two
contradictory tendencies. The first of those is political. Who will
inherit the Dreadfort? That question has haunted Ramsay all his life.
And Roose has never given a clear answer.
As we will see, interesting and subtle as it may be, the political
dimension might just be
squabbling for spoils, and both
Boltons might be more than mere arrivists.
In the end, Roose remains a mystery to me, a man who seems to have gone
into dangerous territories, I suspect. However, the story tells us to be
careful about any moral judgment of the man until we know the truth
about the Starks and the curse of Harrenhal. He seems a mystery even to
his closest ally, Barbrey Dustin.
Roose has no feelings, you see. Those leeches that he
loves so well sucked all the passions out of him years ago. He does
not love, he does not hate, he does not grieve. This is a game to
him, mildly diverting. Some men hunt, some hawk, some tumble dice.
Roose plays with men. You and me, these Freys, Lord Manderly, his
plump new wife, even his bastard, we are but his playthings.
(The Prince of Winterfell, ADwD)
But I would hesitate to call Ramsay a man. Since the word "evil" is, in
general, of little use and best avoided, let's say that Ramsay is not
devoid of passions but he seems so full of anger that he seems hardly
human.
“The Boltons have always been as cruel as they were
cunning, but this one seems a beast in human skin,” said Glover.
(Davos IV, ADwD)
Ramsay's cruelty differs from Roose's. And it would be a mistake to
consider the son as the natural continuation of the father.
Ramsay's existence and actions point to a definite direction. From
Theon's perspective, and from his bride's perspective, Ramsay is
infinitely powerful and infinitely cruel, the Devil in person. If the
outcome of the Winterfell Huis Clos is what we believe in the end, what
will he make of his realm?
Contents
- The Dreadfort and the Boltons of old
- Roose's early Life
- The Ice Eyes
- The Red Wedding
- The Dreadfort Inheritance Problem
- Roose's political Quandary
- The Freys in Winterfell
- Father and Son from Moat Cailin to Winterfell
- Dogs and Horses
- Roose in Harrenhal
- The Kingslayer
- The Washerwoman of the Weepwater Mill
- The Stark Direwolves
- The Death of Domeric
- Monster and Maidens
- Ramsay's Brilliance and Red Helm's Prescience
- Half-human Children
1. The Dreadfort and the Boltons of old
Neither history, nor folklore tell us much about the origin of House
Bolton.
The oldest story we have about the Boltons seems to define them in
relation to the Starks.
“Every great lord has unruly bannermen who envy him his
place,” he told her afterward. “My father had the Reynes and
Tarbecks, the Tyrells have the Florents, Hoster Tully had Walder
Frey. Only strength keeps such men in their place. The moment they
smell weakness... during the Age of Heroes, the Boltons used to flay
the Starks and wear their skins as cloaks.”
(Jaime, ASoS)
The Age of Heroes started after the Children of Forest made peace with
the First Men. It isn't plausible, a priori, that House Stark and House
Bolton have remained enemies during thousand of years, without one or
the other being eliminated at some point.
Let's look first at story of the Dreadfort to try to get a glimpse of
ancient history. Dreadfort rhymes with Nightfort (at the Wall), Redfort
(in the Vale) and Banefort (in the Westerlands). The Nightfort is
obviously very old since it is the oldest castle at the Wall, and might
predate the Wall itself. So if one presumes that those castles are from
the same era, that would make the Dreadfort as ancient as Winterfell
(which was built by Brandon the Builder, at about the same time than the
Wall).
Of course, castles can not endure the millennia and remain intact. Their
walls, keeps, roofs crumble and need to be rebuilt. New towers, new
battlements are added, expanded etc (see the various stage of the
building of Winterfell). Nevertheless, the Dreadfort has a curious
element in its design.
Its pale light cast the shadows of the tall triangular
merlons across the frozen ground, a line of sharp black teeth.
(Reek I, ADwD)
Just like the golden merlons of Queenscrown are an allusion to Queen
Alysanne's crown, it might be that the
tall triangular merlons
refer to a crown. Such a crown would resemble the "spiked crown" (also
described as black) which is on the Dustin banner. In turn, house Dustin
is seated in the Barrowlands, and Barrow Hall is next to the fabled
Great Barrow, which, according to one legend is the grave of the first
king of the First Men. (See the discussion of the Ryswells and Dustins)
The flaying tradition of the Boltons sealed their reputation for
cruelty. However, there are other barbaric practices in the north. The
skagoson warriors are reputed for eating the hearts and livers of their
enemies. The slaves freed at the Wolf's Den hang the entrails of their
captors on the trees. But mostly the north has shed away these
traditions.
In the north, people depend on getting animal furs to survive winter. So
it is not surprising that northmen have developed skills in skinning
animals, which would have given rise to the Bolton custom.
But the Dreadfort has retained a fearsome reputation, expressed by Robb
to Bran.
Lord Roose never says a word, he only looks at me, and
all I can think of is that room they have in the Dreadfort, where
the Boltons hang the skins of their enemies.
(Bran VI, AGoT)
We never saw that room, but Robb does not seem to put its existence in
doubt.
It seems that the Boltons have long been enemies of the Starks.
The flayed man was the sigil of House Bolton, Theon
knew; ages past, certain of their lords had gone so far as to cloak
themselves in the skins of dead enemies. A number of Starks had
ended thus. Supposedly all that had stopped a thousand years ago,
when the Boltons had bent their knees to Winterfell. Or so they say,
but old ways die hard, as well I know.
(Theon IV, ACoK)
Note that the notion that the Bolton have put their practice of flaying
when they bent the knee to the Stark is very much in doubt. It could
very well be that House Karstark has been founded in this occasion.
The Karstarks traced their descent to Karlon Stark, a
younger son of Winterfell who had put down a rebel lord a thousand
years ago, and been granted lands for his valor. The castle he built
had been named Karl’s Hold, but that soon became Karhold, and over
the centuries the Karhold Starks had become Karstarks.
(Catelyn III, ASoS)
When one looks at the map, it makes sense that the Starks could take
possession of their land only after the Bolton became vassals, since
Karhold is East of the Dreadfort, and, I would presume, was not
accessible to the Starks when house Bolton was still hostile. The
possibility of installing a cadet branch so far east therefore came with
the defeat of the Boltons. It is even reasonable that the Karstarks
received lands that used to belong to the Boltons.
But some offshoot of House Stark did ally with the Boltons, as Ser
Bartimus told Davos.
Some passed the castle to their own sons and grandsons,
and offshoot branches of House Stark had arisen; the Greystarks had
lasted the longest, holding the Wolf’s Den for five centuries, until
they presumed to join the Dreadfort in rebellion against the Starks
of Winterfell.
(Davos IV, ADwD)
After the Greystarks, the houses Locke, Flint, Slate, Ashwwod, have held
the Wolf's Den, before it was given to House Manderly nine centuries
ago.
I count two other recent rebellions of the Boltons. One happened before
the Conquest.
Centuries ago, House Bolton rose up against the King in
the North, and Harlon Stark laid siege to the Dreadfort. It took him
two years to starve them out.
(Jon IV, ADwD)
The other one followed the Conquest, if we accept that the lord that
rebelled against the Starks in the story of Bael was a Bolton. Here is
the end of the story of Bael told by Ygritte.
“Aye,” she said, “but the gods hate kinslayers, even
when they kill unknowing. When Lord Stark returned from the battle
and his mother saw Bael’s head upon his spear, she threw herself
from a tower in her grief. Her son did not long outlive her. One o’
his lords peeled the skin off him and wore him for a cloak.”
(Jon VI, ACoK)
We have four, or perhaps only three, recorded rebellions: the most
recent in the time of Bael, preceded by one in the time of Harlon Stark
(which happened centuries ago, that is less than one thousand years
ago), preceded by the one with the Greystarks, and the one that led to
the foundation of House Karstark (the last two might be the same).
The tradition of flaying is well in line with various barbaric practices
used to induce fear in one's enemies. But wearing a human skin for a
cloak is queer. It might be a reference to skinchanging. In the story,
Ramsay threatened several times to make clothes out of the skin of his
enemies: boots out of Lady Dustin, a cloak out of Little Walder's
murderer, a cloak from the washerwomen.
But we do not have a single name of an ancestor of Roose. We just hear
him say.
My forebears were many things, but never fools.
(Reek III, ADwD)
What does Roose mean by
many things ? One is tempted to see
another reference to skinchanging. In any case, we shall watch out for
the skins of the enemies of the Bolton under the Dreadfort, including
the skin of the son of Bael the Bard, and perhaps other Starks. There is
a resemblance of this room with the room of faces under the temple of
Black and White in Braavos.
Like most castles of the Seven Kingdoms, especially those in the north,
the Dreadfort has almost certainly a godswood. Roose does refer to the
old gods in Winterfell, and there is no doubt that the Dreadfort men
worships the old gods. But we are never told about the heart tree. Both
Winterfell and the Wolf's Den have an impressive weirwood as heart tree.
There is none mentioned by Theon at the Dreadfort. It seems Roose
doesn't subscribe to he northern credo of truthfulness in presence of
the heart tree.
Jon said, “My lord father believed no man could tell a
lie in front of a heart tree. The old gods know when men are lying.”
“My father believed the same,” said the Old Bear.
(Jon II, ACoK)
Indeed, the imposture of "Arya" declared by Theon in front of the
heart tree is a major lie. But only Theon is guilty of the sin, since he
is the one who declares the identity of "Arya".
2. Roose's early Life
Let's turn now to Roose's early life, during which he was no cause for
trouble, at least from the point of view of the Starks.
Eddard Stark had never had any reason to complain of the
Lord of the Dreadfort, so far as Jon knew, but even so he had never
trusted him, with his whispery voice and his pale, pale eyes.
(Jon VII, ADwD)
But Roose's personal life was troubled. First he mentions his wives to
Ramsay.
Barbrey Dustin is my second wife’s younger sister,
Rodrik Ryswell’s daughter, sister to Roger, Rickard, and mine own
namesake, Roose, cousin to the other Ryswells.
(Reek III, ADwD)
Roose says of Domeric.
Now his bones lie beneath the Dreadfort with the bones
of his brothers, who died still in the cradle, and I am left with
Ramsay.
(Reek III, ADwD)
The first wife's identity is unknown. The second wife was Bethany
Ryswell (AFfC, Appendix). Nobody, neither Roose, nor her sister Barbrey,
nor her brothers Roger and Rickard, not her father Rodrik ever mention
her name. She died of a fever (AFfC, Appendix).
Here is briefly Domeric's story, told by Roose to Theon.
For the moment. I had another, once. Domeric. A quiet
boy, but most accomplished. He served four years as Lady Dustin’s
page, and three in the Vale as a squire to Lord Redfort. He played
the high harp, read histories, and rode like the wind. Horses ...
the boy was mad for horses, Lady Dustin will tell you. Not even Lord
Rickard’s daughter could outrace him, and that one was half a horse
herself. Redfort said he showed great promise in the lists. A great
jouster must be a great horseman first.
(Reek III, ADwD)
Note the fine education, which Domeric couldn't have received a the
Dreadfort, it seems. Domeric was sent as a squire, and trained in
jousting, a sign that
he was prepared for the southern knightly
culture, rather than for the old-fashioned northern life.
Here is the rest of the story.
In the Vale, Domeric had enjoyed the company of
Redfort’s sons. He wanted a brother by his side, so he rode up the
Weeping Water to seek my bastard out. I forbade it, but Domeric was
a man grown and thought that he knew better than his father.
(Reek III, ADwD)
Domeric's death is dated when Ser Rodrik tells what he knows about
Ramsay.
He lived with his mother until two years past, when
young Domeric died and left Bolton without an heir.
(Bran II, ACoK)
One has the impression that Domeric died at the Dreadfort as soon as he
came back from the Vale. It that is correct, he was probably around
sixteen years old, and would be around twenty at the time of the
conversation between Roose and Theon. But that seems contradicted by the
fact he rode concurrently with
Lord Rickard's daughter,
presumably Lyanna Stark, who would be over thirty, and it wouldn't make
much sense comparing them. To reconcile Lyanna's and Domeric's
chronologies, it is necessary to push back Domeric's birth by a few
years, so that he was Barbrey Dustin's page at the time Lyanna was
alive. However, Lady Dustin has hoped to marry Brandon Stark and
then Ned Stark, after Brandon's death much after the Harrenhal tourney,
and married Lord Dustin during the war of the five kings. So Domeric was
Lady Barbrey's page, when she was still a Ryswell, in the Rills. That
would be curious, since Roose says Lady Dustin's page. Moreover a maiden
does not have a page, I believe. So I find more and more unlikely that
Domeric rode concurrently with Lyanna Stark. Perhaps Lady Dustin made a
comparison between Lyanna and Domeric on what she saw at different time
periods.
I tend to think that Domeric died as soon as he became a man grown and
came back to the Dreadfort. Note Domeric's passion for horses, the mark
of a true Ryswell.
In any case, there has been an
alarming number of early deaths
in Roose's close family: his first wife, his first sons, his
second wife, Domeric. His first two families have been eradicated. And
he has no close kin, no parents, no siblings, no cousins.
The wives who die in succession are cause for suspicions. Consider Alys
Karstark speaking of her cousin Cregan, who is now Roose's ally.
Once Cregan gets a child by me they won’t need me
anymore. He’s buried two wives already.
(Jon X, ADwD)
3. The Ice Eyes
This will just be a little interlude. Ramsay and Roose have
remarkable pale eyes.
Roose Bolton, Lord of the Dreadfort, had a small voice,
yet when he spoke larger men quieted to listen. His eyes were
curiously pale, almost without color, and his look disturbing.
(Catelyn VIII, AGoT)
“Ramsay.” There was a smile on his plump lips, but none
in those pale pale eyes.
(Theon VI, ACoK)
Human beings are not determined by the color of their eyes. And there
are many characters with pale eyes: Viserys, Bran's assassin, Ilyn
Payne, Jon Connington, Mandon Moore, Sam Tarly, Barristan Selmy, Lysa
Tully, some wights, Cleos Frey, Leobald Tallhart, Dagmer Cleftjaw, Tywin
Lannister, Khorane Sathmantes (pale blue eyes are common in Lys), Mero,
the stern face at the house of black and white, Thistle after her death,
Wyman Manderly.
The color of the eyes of Roose, and therefore Ramsay, are particularly
striking, even disturbing for many onlookers. Only Ilyn Payne's eyes
make a similar impression.
One of the rare times Roose's eyes express a form of passion is when he
burns the book in Harrenhal.
He watched the flames consume it, pale eyes shining with
reflected light.
(Arya X, ACoK)
Jaime Lannister is disturbed in Harrenhal.
Bolton’s silence was a hundred times more threatening
than Vargo Hoat’s slobbering malevolence. Pale as morning mist, his
eyes concealed more than they told. Jaime misliked those eyes. They
reminded him of the day at King’s Landing when Ned Stark had found
him seated on the Iron Throne.
(Jaime IV, ASoS)
And later.
Roose Bolton’s eyes were paler than stone, darker than
milk, and his voice was spider soft.
(Jaime V, ASoS)
Here is Roose on his return to the north, at Moat Cailin.
All he and Ramsay had in common were their eyes. His
eyes are ice. Reek wondered if Roose Bolton ever cried. If
so, do the tears feel cold upon his cheeks?
(Reek II, ADwD)
Roose in Barrowton with Theon.
His lordship glanced at the new Reek with eyes as pale
and strange as two white moons.
(Reek III, ADwD)
And a moment later.
Bolton’s pale eyes looked empty in the moonlight, as if
there were no one behind them at all.
(Reek III, ADwD)
Here is Roose at the wedding, in front of the heart tree.
Roose Bolton’s own face was a pale grey mask, with two
chips of dirty ice where his eyes should be.
(The Prince of Winterfell, ADwD)
In Ned Stark's solar, Roose inquires about the murders.
Roose Bolton’s pale eyes were fixed on Theon, as sharp
as Skinner’s flaying knife.
(A Ghost in Winterfell, ADwD)
When Roose is forcing his voice, and, as I understand, feigning anger,
the eyes betray no emotion.
His father rose more slowly, pale-eyed, still-faced,
solemn. “This was foul work.” For once Roose Bolton’s voice was loud
enough to carry.
(Theon, ADwD)
The last time we see the eyes seems a sinister omen for Abel.
He turned his head, his pale cold eyes searching the
hall until they found the bard Abel beside Theon.
(Theon, ADwD)
Even when Roose mentions the birth of Ramsay, he feels compelled to
mention his eyes for expressing his desire for the washerwoman.
The moment that I set eyes on her I wanted her.
(Reek III, ADwD)
Ramsay's eyes are described are alike his father's. But they seem less
striking.
Instead he flushed red, turned his pale eyes from his
father’s paler ones, and went to find the keys.
(Reek III, ADwD)
When Freys and Manderlys are about to fight in the Great Hall, Roose's
eyes show again his emotions.
Roose Bolton said nothing at all. But Theon Greyjoy saw
a look in his pale eyes that he had never seen before—an uneasiness,
even a hint of fear.
(A Ghost in Winterfell, ADwD)
Moreover, Roose's eyes are part of his self-image. Indeed, here is his
stated reason for sparing Ramsay's life.
I should’ve had the mother whipped and thrown her child
down a well ... but the babe did have my eyes. She told me that when
her dead husband’s brother saw those eyes, he beat her bloody and
drove her from the mill.
(Reek III, ADwD)
There are a few indications that eye color reveals a particular nature.
Indeed the violet/lilac/purple eyes of the Targaryens are exceptional in
Westeros (while being common in Lys), and Targaryens see themselves as
"blood of the dragon". Lord Brynden tells us a few things about the
Children of the Forest.
Those you call the children of the forest have eyes as
golden as the sun, but once in a great while one is born amongst
them with eyes as red as blood, or green as the moss on a tree in
the heart of the forest. By these signs do the gods mark those they
have chosen to receive the gift.
(Bran III, ADwD)
It seems that the crannogmen are closer to the Children of the Forest
than ordinary humans are. Jojen Reed is at the same time blessed with
green dreams and with particular eyes.
Jojen’s eyes were the color of moss, and sometimes when
he looked at you he seemed to be seeing something else.
(Bran IV, ACoK)
Bloodraven, as part of his albino condition, has red eyes. Melisandre
has red eyes as well. The particular nature of each of the direwolves
(and each of the dragons) might be reflected in their distinct eye
colors. The grey eyes of the Starks are characteristic as well. Among
all Starks, there seem to have been a particularly vengeful king who had
eyes as remarkable as Roose's.
Brandon Stark this was, Edrick Snowbeard’s
great-grandson, him that men called Ice Eyes.
(Davos IV, ADwD)
Signaling supernatural powers, or a not-quite-human nature, by strange
eye color is a cliché of fantasy. Is it embraced? Merely alluded to?
Subverted? Used as a red herring?
4. The Red Wedding
Certainly Roose has kept his options open all along the campaign of the
Young Wolf, sparing his forces in calculated defeats, like the Battle of
the Green Fork, taking Harrenhal by a ploy, hiring the Brave Companions
in his service. A prudent man.
But it seems that the decisive moment of his betrayal of the Stark can
be pinpointed. We have first Roose, naked and covered with leeches
listening to the Frey delegation.
“Someone must have the courage to say it,” Ser Hosteen
said. “The war is lost. King Robb must be made to see that.” Roose
Bolton studied him with pale eyes. “His Grace has defeated the
Lannisters every time he has faced them in battle.” “He has lost the
north,” insisted Hosteen Frey. “He has lost Winterfell! His brothers
are dead . . .”
(Arya X, ACoK)
This is after the fall of Winterfell to the Ironmen, and after the
battle of the Blackwater. But before news of Westerling marriage reached
Harrenhal, and before Ramsay sacked Winterfell.
Then Roose began to make his moves. First send the Tallharts, Karstarks
and Robett Glover to Duskendale. The mark of the betrayal comes at this
moment, in a conversation with Qyburn.
“I will hunt today,” Roose Bolton announced as Qyburn
helped him into a quilted jerkin.
“Is it safe, my lord?” Qyburn asked. “Only three days past, Septon
Utt’s men were attacked by wolves. They came right into his camp,
not five yards from the fire, and killed two horses.”
“It is wolves I mean to hunt. I can scarcely sleep at night for the
howling.” Bolton buckled on his belt, adjusting the hang of sword
and dagger. “It’s said that direwolves once roamed the north in
great packs of a hundred or more, and feared neither man nor
mammoth, but that was long ago and in another land. It is queer to
see the common wolves of the south so bold.”
“Terrible times breed terrible things, my lord.”
Bolton showed his teeth in something that might have been a smile.
“Are these times so terrible, Maester?”
“Summer is gone and there are four kings in the realm.”
“One king may be terrible, but four?”
(Arya, ACoK)
It would seem that Roose thinks that the age of the direwolf has passed.
Roose does not appear to reason in immediate political terms. I don't
think he wants short-term political gains. His world view is informed by
knowledge of the past, and Roose might have sensed that a new era could
be beginning. His discourse to Qyburn reminds me of what Leaf would say
to Bran later.
That was in the dawn of days, when our sun was rising.
Now it sinks, and this is our long dwindling. The giants are almost
gone as well, they who were our bane and our brothers. The great
lions of the western hills have been slain, the unicorns are all but
gone, the mammoths down to a few hundred. The direwolves will
outlast us all, but their time will come as well. In the world that
men have made, there is no room for them, or us.
(Bran III, ADwD)
Here he seems to believe the Stark era has passed for deeper reasons
than the political mistakes made by Robb Stark. It would seem that it
conceivable now that someone else than a Stark would rule the north.
Later the same day, a letter would reach Harrenhal announcing that Robb
Stark has wedded Jeyne Westerling.
The political calculations made by Roose in preparation for the wedding
are interesting.
First it's not said clearly whether Roose permitted Ramsay to sack
Winterfell. Ramsay is bold, and Roose is cautious. And communications
were probably difficult and unreliable between the two sides of the
Neck. But note that Ramsay was uncertain of how many men he would bring
to help Theon.
“Well, might be I could help you,” said Reek. “Give me a
horse and bag o’ coin, and I could find you some good fellows.”
Theon narrowed his eyes. “How many?”
“A hundred, might be. Two hundred. Maybe more.” He smiled, his
pale eyes glinting. “I was born up north here. I know many a man,
and many a man knows Reek.”
(Theon V, ACoK)
It's not even clear "Reek" would bring the Dreadford men-at-arms. But
when "Reek" came back:
“And now, my sweet prince, there was a woman promised
me, if I brought two hundred men. Well, I brought three times as
many, and no green boys nor fieldhands neither, but my father’s own
garrison.”
(Theon VI, ACoK)
One is left to think that a letter from Roose gave Ramsay full support
for his operation in Winterfell.
Another detail would support that Roose had instructed Ramsay.
“Save me the Freys,” the Bastard was shouting as the
flames roared upward, “and burn the rest. Burn it, burn it all.”
(Theon VI, ACoK)
The political thinking behind the preservation of the Freys would seem
to come from Roose. But, I am sure Ramsay understands the value of
hostages. So the line about the Freys might not indicate necessarily
that Roose commanded Ramsay to sack Winterfell. Moreover, Ramsay burned
Winterfell, a move that he would regret since he would be named lord of
the castle later.
We wouldn't hear about the alliance with Lady Dustin until much later.
However, some houses seem to have been spared the Red Wedding, either by
betrayal of as a favor. The Tallharts, Glovers and Karstarks have been
sent to Duskendale, before Roose left Harrenhal.
On the way to the Twins, at the crossing of the Trident.
Catelyn turned back to Roose Bolton. “Ser Wendel said
something of Lannisters on the Trident?”
“He did, my lady. I blame myself. I delayed too long before leaving
Harrenhal. Aenys Frey departed several days before me and crossed
the Trident at the ruby ford, though not without difficulty. But by
the time we came up the river was a torrent. I had no choice but to
ferry my men across in small boats, of which we had too few.
Two-thirds of my strength was on the north side when the Lannisters
attacked those still waiting to cross. Norrey, Locke, and Burley men
chiefly, with Ser Wylis Manderly and his White Harbor knights as
rear guard. I was on the wrong side of the Trident, powerless to
help them. Ser Wylis rallied our men as best he could, but Gregor
Clegane attacked with heavy horse and drove them into the river. As
many drowned as were cut down. More fled, and the rest were taken
captive.”
Gregor Clegane was always ill news, Catelyn reflected. Would Robb
need to march south again to deal with him? Or was the Mountain
coming here? “is Clegane across the river, then?”
“No.” Bolton’s voice was soft, but certain. “I left six hundred men
at the ford. Spearmen from the rills, the mountains, and the White
Knife, a hundred Hornwood longbows, some freeriders and hedge
knights, and a strong force of Stout and Cerwyn men to stiffen them.
Ronnel Stout and Ser Kyle Condon have the command. Ser Kyle was the
late Lord Cerwyn’s right hand, as I’m sure you know, my lady. Lions
swim no better than wolves. So long as the river runs high, Ser
Gregor will not cross.”
(Catelyn VI, ASoS)
So the mountain clans (Burley, Norrey) and the Lockes were betrayed, it
seems. But the Ryswells (spearmen from the rills), other clans, the
Hornwood men, the Barrowton men (House Stout is sworn to Lady Dustin),
and the Cerwyns have escaped the massacre by Roose's decision. I wonder
who were the mountain clans spared by Roose. Wull? I wonder to whom the
White Knife spearmen answered to.
Not coincidentally, those houses (Ryswell, Dustin, Hornwood,
Cerwyn) are those who are allied with Lady Dustin, even before Roose
has returned to the north. Indeed, Melisandre saw in her
flames.
The red priestess slid closer to the king. “I saw a town
with wooden walls and wooden streets, filled with men. Banners flew
above its walls: a moose, a battle-axe, three pine trees, longaxes
crossed beneath a crown, a horse’s head with fiery eyes.”
(Jon IV, ADwD)
So there seems to have been an alliance in place, and a precise
political calculation for the Red Wedding. Roose would have the support
of the Dustins, Ryswells, Hornwoods, Cerwyns, Tallharts upon his return
in the north.
There are difficulties with that plan, chiefly that these houses
are mortal enemies of Ramsay. Ramsay is lord of the Hornwood,
which is disputed by Manderly, but we can suppose that all Hornwood
people have been horrified by the treatment of Donella Hornwood. The
Tallharts have been betrayed by Roose at Duskendale, but that remains to
be proved since Roose told them to go by the King's command. The King is
no more to establish the truth. Finally, the Hornwoods, Cerwyns, and
Tallharts are not led properly at the moment. Indeed, Ramsay is a
controversial lord of the Hornwood, and might have never set foot there,
Torrhen's Square is held by the Ironmen with Lady Tallhart prisoner, and
Lady Cerwyn is weak and probably still in search of a husband.
However, since Umbers, Mormonts, Manderlys, Flints, have lost kin at the
Red Wedding, they might be considered lost to his cause by Roose. Unless
Roose can remove the current heads of these houses and install cadet
branches in their stead, like Roose is apparently trying to do with the
Karstarks, those houses are to remain enemies of the Boltons.
If my understanding of Roose's political situation is correct, that
leaves a contradiction:
the political strategy of Roose does
not include Ramsay.
When Roose discusses with Jaime Lannister the rescue of "Arya" in King's
Landing and her return to the north, he knows that Sansa is married to
Tyrion Lannister.
The Lord of the Dreadfort gave her an uninterested
glance. “The girls need not concern you any further, my lady. The
Lady Sansa is the dwarf’s wife, only the gods can part them now.”
(Jaime V, ASoS)
Hence Roose promised "Arya" to Ramsay while he knew there would
be a succession conflict with Sansa and the Lannisters. The
disappearance of Sansa would make the conflict vanish.
Finally, we know who was Roose's main interlocutor for the preparation
of the wedding.
Lord Walder had ordered the slaughter of the Starks at
Roslin’s wedding, but it had been Lame Lothar who had plotted it out
with Roose Bolton, all the way down to which songs would be played.
(Epilogue, ASoS)
The pivotal place of Lothar in the Frey family and his connection to Big
Walder are discussed elsewhere. It might be important to keep in mind
the successful association of Roose and Lothar.
5. The Dreadfort Inheritance Problem
We turn to the most blatant contradiction in Roose's strategy:
Roose
has legitimized Ramsay while marrying Fat Walda.
More precisely, here is what happened. Domeric was Roose's heir until
his death, two years before the Harvest Feast in Winterfell. Then,
Ramsay has been accepted at the Dreadfort, presumably with the idea of
legitimation. Roose married Walda before taking Harrenhal, probably with
the intent of having other sons. Then, Ramsay married forcibly Lady
Hornwood, possibly after having realized that the Frey marriage might
make him lose the inheritance. The false news of Ramsay's death seemed
to clarify things for a time. But Ramsay's resurgence and the Sack of
Winterfell led to the legitimation of the Bastard. But it is unclear
what has been decided for the inheritance. If Roose were to die, it
would come to the Iron Throne to decide who will inherit the north.
The marriage to Walda seems to have been motivated by greed, and the
marriage is generally considered a surprise.
“Fortunately for you, I have no need of a wife. I wed
the Lady Walda Frey whilst I was at the Twins.”
“Fair Walda?” Awkwardly, Jaime tried to hold the bread with his
stump while tearing it with his left hand.
“Fat Walda. My lord of Frey offered me my bride’s weight in silver
for a dowry, so I chose accordingly. Elmar, break off some bread for
Ser Jaime.”
(Jaime V, ASoS)
It was before the conquest of Harrenhal. What did Roose do with the
silver? My guess is that he used the coin to buy the service of the
Brave Companions. If not, he might have had a special need that has not
been revealed.
Let's return to the alliance with House Frey. The Freys' intentions are
clear, as expressed in Walda's letters to Roose in Harrenhal.
The Lady Walda wrote from the Twins almost every day,
but all the letters were the same. “I pray for you morn, noon, and
night, my sweet lord,” she wrote, “and count the days until you
share my bed again. Return to me soon, and I will give you many
trueborn sons to take the place of your dear Domeric and rule the
Dreadfort after you.”
(Arya X, ACoK)
Note that Ramsay is believed dead at this point. The news of Ramsay's
victory at Winterfell would come later.
Ramsay has no grudge against the Freys. But his interests conflict with
theirs. The situation is not very different from the classical rivalry
between a brother and a son for inheritance (see Theon and Euron, the
Karstarks). It is not clear which rule applies to determine the heir.
But when Roose married Walda, Ramsay was still a bastard, and the news
of his death would follow shortly. We do not know what was Roose's
calculation for the legitimation. Perhaps it is simply Ramsay's reward
for having defeated the Starks in the north.
So the Freys expect Roose to name his eldest son by Walda heir of the
Dreadfort. Otherwise they would feel betrayed, and Roose would lose the
support of House Frey. Even the Lannisters are aware that marriage pacts
with the Freys are to be respected.
“The Freys are prickly where marriage contracts are
concerned. I would hate to disappoint them again.”
Ser Daven snorted. “I’ll wed and bed my stoat, never fear. I know
what happened to Robb Stark."
(Jaime V, AFfC)
So Roose knows he has to be careful if he wants to leave the Dreadfort
to Ramsay.
But, Ramsay wants to remain heir to the Dreadfort, as we will see.
During the last scene in the Great Hall of Winterfell, it is revealed
that.
Roose Bolton entered, pale-eyed and yawning, accompanied
by his plump and pregnant wife, Fat Walda.
(Theon, ADwD)
Walda pregnancy was not apparent at the time of the wedding, a month or
two before. This news makes more urgent even for Ramsay the need to
secure the inheritance. Here is what we know of Roose's thinking.
“And won’t my bastard love that? Lady Walda is a Frey,
and she has a fertile feel to her. I have become oddly fond of my
fat little wife. The two before her never made a sound in bed, but
this one squeals and shudders. I find that quite endearing. If she
pops out sons the way she pops in tarts, the Dreadfort will soon be
overrun with Boltons. Ramsay will kill them all, of course. That’s
for the best. I will not live long enough to see new sons to
manhood, and boy lords are the bane of any House. Walda will grieve
to see them die, though.”
(Reek III, ADwD)
It's not immediately clear what to make of this. Whatever the reality of
Roose's acceptance of the death of Walda's future children, Roose would
lose the Freys if he left the inheritance to Ramsay.
However, Roose had once told Arya.
“My squire could take a lesson from you, it would seem.
Frequent leechings are the secret of a long life. A man must purge
himself of bad blood.”
(Arya IX, ACoK)
Then Roose hoped for a long life.
Why say otherwise to Theon?
Roose breaks a universal rule of politics that I believe he understands
very well: For the ruler, it is unwise to mention the approach of death.
That makes your friends lose interest in you, weakens your authority and
intensifies the competition for succession. This is why the health of
ailing people in power is generally a well guarded secret, and why it is
difficult for a politician to accomplish much as the mandate comes close
to its end. So Roose's words are well calculated for an effect, and I
don't believe them to be true.
I understand that he knows Theon would repeat to Ramsay
everything he has heard. As Ramsay expects.
But as he knelt to unlock the fetters around Reek’s
wrists and ankles, he leaned close and whispered, “Tell him nothing
and remember every word he says. I’ll have you back, no matter what
that Dustin bitch may tell you. Who are you?”
(Reek III, ADwD)
But Roose is one move ahead of Ramsay.
“Breathe deep. I know what he said. You’re to spy on me
and keep his secrets.” Bolton chuckled. “As if he had secrets. Sour
Alyn, Luton, Skinner, and the rest, where does he think they came
from? Can he truly believe they are his men?”
(Reek III, ADwD)
There is all reason to believe Theon has repeated the conversation to
Ramsay. So Roose is telling Ramsay that he does not want her children
with Walda to inherit, that Ramsay will be the heir, if he has the belly
to get rid of the Freys himself.
By saying to Theon that he will not live for long, Roose makes
the inheritance problem more pressing, and increases the tension
between the Freys and Ramsay. But he lets Ramsay
know that he will have the Dreadfort.
For Roose, one peaceful way out of this conflict would be to leave
Winterfell to Ramsay and the Dreadfort to Walda's son. Apparently,
this is what the Freys expect, as Rhaegar Frey tells Wylla Manderly at
the Merman's Court.
“Lady Wylla,” he said to the girl with the green braid,
“loyalty is a virtue. I hope you will be as loyal to Little Walder
when you are joined in wedlock. As to the Starks, that House is
extinguished only in the male line. Lord Eddard’s sons are dead, but
his daughters live, and the younger girl is coming north to wed
brave Ramsay Bolton.”
“Ramsay Snow,” Wylla Manderly threw back. “Have it as you will. By
any name, he shall soon be wed to Arya Stark. If you would keep
faith with your promise, give him your allegiance, for he shall be
your Lord of Winterfell.”
“He won’t ever be my lord! He made Lady Hornwood marry him, then
shut her in a dungeon and made her eat her fingers.”
A murmur of assent swept the Merman’s Court. “The maid tells it
true,” declared a stocky man in white and purple, whose cloak was
fastened with a pair of crossed bronze keys. “Roose Bolton’s cold
and cunning, aye, but a man can deal with Roose. We’ve all known
worse. But this bastard son of his ... they say he’s mad and cruel,
a monster.”
“They say?” Rhaegar Frey sported a silky beard and a sardonic smile.
“His enemies say, aye ...
(Davos III, ADwD)
...
for he shall be your Lord of Winterfell. The rest of
Rhaegar's speech is about the Young Wolf. The words do not come to him
when he has to defend Ramsay.
But it's unlikey that Ramsay would accept such an arrangement. This is
of course not what Ramsay had in mind when he put Winterfell and its
Winter Town to the torch. Indeed, Ramsay seems very much attached to his
position as heir to the Dreadfort, and makes a point of mentioning it as
he spoke his marriage vows.
“Me,” said Ramsay. “Ramsay of House Bolton, Lord of the
Hornwood, heir to the Dreadfort. I claim her. Who gives her?”
(The Prince of Winterfell, ADwD)
...
heir to the Dreadfort. And, generally, Ramsay loves being a
Bolton: the flaying tradition, the pink clothes, the ring his father
gave him, etc. Here he is at the Dreadfort feast.
At the high table the Bastard of Bolton sat in his lord
father’s seat, drinking from his father’s cup.
(Reek I, ADwD)
And inheriting the Dreadfort would erase the stigma of bastardy for
good. If he were to let the inheritance to Walda's son, Ramsay would
probably owe fealty to the lord of the Dreadfort. Finally, Ramsay does
not seem pleased with Winterfell. First he put the castle to the torch.
It is further demonstrated by his reaction to the suggestion of holding
the wedding there.
“Aye, so he did, but still ... a wedding in that ruin?”
(Reek III, ADwD)
In fact it seems that Ramsay intends to inherit fully from Roose, since
Roose asks.
Does he truly think that he can ever rule the north?
(Reek III, ADwD)
The rivalry between the Freys and Ramsay is rarely expressed openly.
Ramsay uses disparaging language about Walda.
Is this why you left Lady Dustin and your fat pig wife?
(Reek III, ADwD)
And he has no regret for not having found the three missing Freys.
“Does it matter? The world won’t miss a few Freys.
There’s plenty more down at the Twins should we ever have need of
one.”
(Reek III, ADwD)
This is likely to be Ramsay's normal way of speaking, and might not
reflect that much animosity. But it shows how little attachment Ramsay
has for the Freys.
Conversely,
the Freys know very well that Ramsay is a danger
for Walda's sons since Roose has written in a letter read at
Robb's court.
The trueborn sons my young wife has promised me would
never have been safe while he lived.
(Catelyn VI, ACoK)
The scenery arranged by Ramsay at Moat Cailin could be understood as a
warning for the Freys.
The next morning Lord Ramsay dispatched three riders
down the causeway to take word to his lord father that the way was
clear. The flayed man of House Bolton was hoisted above the
Gatehouse Tower, where Reek had hauled down the golden kraken of
Pyke. Along the rotting-plank road, wooden stakes were driven deep
into the boggy ground; there the corpses festered, red and dripping.
Sixty-three, he knew, there are sixty-three of them. One was short
half an arm. Another had a parchment shoved between its teeth, its
wax seal still unbroken.
Three days later, the vanguard of Roose Bolton’s host threaded its
way through the ruins and past the row of grisly sentinels—four
hundred mounted Freys clad in blue and grey, their spearpoints
glittering whenever the sun broke through the clouds. Two of old
Lord Walder’s sons led the van.
(Reek II, ADwD)
The Freys have asked Roose assurances about Ramsay. If Roose couldn't be
reassuring enough, they probably have a plan to get rid of the Bastard
of the Dreadfort. Apparently, they hope Ramsay will be content with the
lordship of Winterfell.
One weapon they might have is Robb's will. That they might have the will
is discussed elsewhere. Let's look at the consequences for the Boltons.
Roose would certainly have destroyed the will if he had put his hands on
it. But it seems more likely that the Freys found it, and kept it to
themselves as a trump card. Indeed, we don't know if Jon is named crown
prince of the north, or simply heir of Winterfell, or if there are
certain provisions concerning the survival of Arya, Bran and Rickon.
But, whatever the wording, the Freys would be in position to blackmail
the Boltons, since the publication of the will would undermine the
legitimacy of Roose as overlord of the north, and could deprive "Arya"
of Winterfell. Even if the will states that the crown of the north
should go to Jon, it doesn't deprive Walda of the Dreadfort. It would
just make the Boltons bannermen of the Stark again, certainly a lower
status for Walda than being Queen in the north. And Ramsay would lose
Winterfell.
Of course the will wouldn't mean much unless it is backed by significant
forces. It could be interpreted in various ways depending on the
political circumstances, including that Jon would only inherit the
lordship and not the crown.
Even if the will appears and is not accepted, it will pose the problem
of the place of legitimized bastards in the order for inheritance. If
Jon Snow is discarded for the lordship of Winterfell, so must Ramsay for
the lordship of the Dreadfort.
I presume that the Freys would demand from Roose that Walda's
son would inherit the Dreadfort in exchange for their silence on
Robb's will.
In any case, the Freys are in need of political weapons in the north.
They depend too much on Roose's goodwill. Their army, and the support of
the Lannister is one mean of pressure. The Greatjon, hostage at the
Twins, is another. There might be Robb's will. And finally, the
knowledge that Ramsay was "Reek" in Winterfell and collaborated with
Theon. Both Walders know this secret, and it is likely that Little
Walder reported it to his sister Walda and his uncle Hosteen.
6. Roose's political Quandary
Roose is prudent man, and acute political player, but he faces a problem
that he has largely made himself. We saw the mounting tension between
Ramsay and the Freys. But the main ally of Roose, Barbrey Dustin (with
the Ryswells, and the Hornwood, Tallhart and Cerwyn men), hates Ramsay
and does not wish to see him inherit the north. Barbrey dislikes the
Freys as well.
Why did Roose exacerbate the conflict between Ramsay and the Freys?
Perhaps it is useful at this point to summarize the situation in the
north. The main political players in Winterfell are: Roose Bolton,
Ramsay Bolton, the Freys, Lady Dustin, Wyman Manderly.
The Karstarks and Umbers are weakened at the moment, as are the
Hornwoods, Cerwyns and Tallharts. The Reeds and the mountain clans are
marginal. The Mormonts and Glovers are, at least momentarily, with
Stannis.
The Freys and Ramsay are natural rivals to each other since they both
plan to inherit the Dreadfort.
Barbrey Dustin, née Ryswell, and her allies, the men of houses Hornwood,
Cerwyn and Tallhart can't suffer Ramsay, and would never accept him as
their liege lord. Since these people were hardly touched during the Red
Wedding they might accept that Roose has allied with Walda. Lady Dustin
is silent on the culpability of Roose. Roose trusts Lady Dustin.
Lady Dustin has no fondness for the Freys and tell them they are not
welcome in the north. So it is likely that she does not envisage either
that Ramsay inherits the north, or that Walda's son becomes Roose's
heir.
If Roose intends to follow the alliance with Lady Dustin, it's unclear
what the plan of the widow of Barrowton is. Who should inherit the north
after Roose from her point of view?
Wyman Manderly, richest man in the north, has lost a son in the Red
Wedding, has lost his cousin Donella Hornwood, née Manderly, to Ramsay,
and has lost men during the Sack of Winterfell. He knows that Roose is
guilty for the Red Wedding. So Manderly can not be reconciled with
Roose, Ramsay or the Freys. Roose has no other choice than eliminating
him. But it is in Roose's interest not to do the deed himself, and the
Freys were perfectly suited for the task. This is probably why Roose
sent the Freys and the Manderlys together to battle Stannis' forces.
Ramsay will become lord of Winterfell. Will he inherit the Dreadfort and
the north as well? It seems to me that he has too many enemies to hope
to have the Dreadfort. The Freys will fight bitterly to stop him. Lady
Dustin, the Ryswells, Hornwood, Cerwyn, Tallhart will not accept him as
their liege lord. Ramsay could remain as lord of Winterfell with the
support of Roose and the Freys. But he does not seem willing to.
It
appears that the position of Ramsay is weak. Everybody
despises him, and he has no sworn swords. He relies entirely on his
father's support, which is ambiguous.
The Freys need Walda as a foothold in the north. And they need Ramsay to
be disinherited from the Dreadfort. They want marriages and lands in the
north. The more dead northmen the better.
What is Roose going to do with all this? In my opinion, the best course
is to use the Freys to get rid of Manderly, then to sacrifice Ramsay, to
let him bear the blame for the Sack of Winterfell, and for the death of
Lady Hornwood. Roose might use the Freys to get rid of Ramsay.
Here is what Roose longs for:
“You are mistaken. It is not good. No tales were ever
told of me. Do you think I would be sitting here if it were
otherwise? Your amusements are your own, I will not chide you on
that count, but you must be more discreet. A peaceful land, a
quiet people. That has always been my rule. Make it yours.”
(Reek III, ADwD)
A peaceful land, a quiet people. It's possible that Roose would
need to sacrifice the Freys as well, and blame them for the Red Wedding,
and for their greed, but to let them get rid of Manderly first.
It seems to me that Roose needs the alliance with Lady Dustin, and
that he likes her personally. Indeed, Roose speaks of
Barbrey always in respectful, almost affectionate at times, terms.
“Unlikely. And those boots would come dear. They would
cost us Barrowton, House Dustin, and the Ryswells.” Roose Bolton
seated himself across the table from his son. “Barbrey Dustin is my
second wife’s younger sister, Rodrik Ryswell’s daughter, sister to
Roger, Rickard, and mine own namesake, Roose, cousin to the other
Ryswells. She was fond of my late son and suspects you of having
some part in his demise. Lady Barbrey is a woman who knows how to
nurse a grievance. Be grateful for that. Barrow-ton is staunch for
Bolton largely because she still holds Ned Stark to blame for her
husband’s death.”
(Reek III, ADwD)
Roose's body language (moving so the table is between his son and
himself) would seem to indicate that he would take the side of Barbrey
in the dispute.
But Roose's respect for Barbrey is not reciprocated. Indeed, before we
saw Lady Dustin for the first time, Roose gave a lesson in manners to
Theon.
“Reek,” he said, “if it please my lord.”
“M’lord.” Bolton’s lips parted just enough to show a quarter inch of
teeth. It might have been a smile.
“—my lord, when you should have said m’lord. Your tongue betrays
your birth with every word you say. If you want to sound a proper
peasant, say it as if you had mud in your mouth, or were too stupid
to realize it was two words, not just one.”
(Reek III, ADwD)
But here is how Roose was greeted by Lady Dustin a few minutes later as
he enters Barrow Hall.
“Who is this?” she said. “Where is the boy? Did your
bastard refuse to give him up? Is this old man his ... oh, gods be
good, what is that smell? Has this creature soiled himself?”
“He has been with Ramsay. Lady Barbrey, allow me to present the
rightful Lord of the Iron Islands, Theon of House Greyjoy.”
(Reek III, ADwD)
No "my lord", no formal greeting. Just rudeness. Roose is the Warden of
the North and therefore has authority over Lady Dustin. Her manners
should be unacceptable, especially for Roose, who seems so attached to
correct etiquette. This exchange shows that Lady Dustin has no fear of
Roose, and her strange familiarity with Roose indicates more than simply
an alliance of circumstances. Either Lady Dustin and Roose are very
close or Lady Dustin is the dominant partner in the association.
But the political analysis might not be all that matter about Roose
Bolton. And I can't help reflecting on his remark to Theon.
“The north. The Starks were done and doomed the night
that you took Winterfell.” He waved a pale hand, dismissive. “All
this is only squabbling over spoils.”
(Reek III, ADwD)
7. The Freys in Winterfell
We turn now to an examination of the treatment of the Freys by the
Boltons in Winterfell.
The first slight against the Freys is the absence of their banner in
Winterfell at the wedding.
Along the walls the banners hung: the horseheads of the
Ryswells in gold, brown, grey, and black; the roaring giant of House
Umber; the stone hand of House Flint of Flint’s Finger; the moose of
Hornwood and the merman of Manderly; Cerwyn’s black battle-axe and
the Tallhart pines.
(The Prince of Winterfell, ADwD)
The marriage vows of Ramsay is another threat:
“Me,” said Ramsay. “Ramsay of House Bolton, Lord of the
Hornwood, heir to the Dreadfort. I claim her. Who gives her?”
(The Prince of Winterfell, ADwD)
It's almost a casus belli, since the Freys want Walda's sons to inherit
the Dreadfort.
Next we have the discourse of Roose for the wedding.
She sat with eyes downcast as Roose Bolton bid them
drink to Lady Arya. “In her children our two ancient houses will
become as one,” he said, “and the long enmity between Stark and
Bolton will be ended.” His voice was so soft that the hall grew
hushed as men strained to hear. “I am sorry that our good friend
Stannis has not seen fit to join us yet,” he went on, to a ripple of
laughter, “as I know Ramsay had hoped to present his head to Lady
Arya as a wedding gift.” The laughs grew louder. “We shall give him
a splendid welcome when he arrives, a welcome worthy of true
northmen. Until that day, let us eat and drink and make merry ...
for winter is almost upon us, my friends, and many of us here shall
not live to see the spring.”
(The Prince of Winterfell, ADwD)
The mention of
true northmen is there again to make the Frey
uncomfortable. Of course, the Freys are not politically acceptable, and
it wouldn't be reasonable for Roose to give them a prominent position at
the wedding.
Indeed, Lady Dustin tells Theon what every northman thinks.
“He will. He must.” Lady Dustin chuckled. “And when he
does, the fat man will piss himself. His son died at the Red
Wedding, yet he’s shared his bread and salt with Freys, welcomed
them beneath his roof, promised one his granddaughter. He even
serves them pie.”
(The Prince of Winterfell, ADwD)
She adds about Roose.
“Truth be told,” she said, “Lord Bolton aspires to more
than mere lordship. Why not King of the North? Tywin Lannister is
dead, the Kingslayer is maimed, the Imp is fled. The Lannisters are
a spent force, and you were kind enough to rid him of the Starks.
Old Walder Frey will not object to his fat little Walda becoming a
queen.”
(The Prince of Winterfell, ADwD)
It can be understood in a number of ways, including that it is known
that Theon is Ramsay's creature. So Lady Dustin might be provoking
Ramsay here, by making a queen of Walda Frey. She might inadvertently
putting in Ramsay's mind the notion of crowning himself, or of
inheriting the crown. When Roose announced Stannis' approach.
Ser Hosteen Frey pushed to his feet. “We should ride
forth to meet them. Why allow them to combine their strength?”
(The Prince of Winterfell, ADwD)
But Roose barely listens to Hosteen.
“The hall is not the place for such discussions, my
lords. Let us adjourn to the solar whilst my son consummates his
marriage. The rest of you, remain and enjoy the food and drink.”
(The Prince of Winterfell, ADwD)
Later, when the snow began to fall the old gods hostile to the
foreigners are mentioned again.
“The gods of the north have unleashed their wroth on
Lord Stannis,” Roose Bolton announced come morning as men gathered
in Winterfell’s Great Hall to break their fast. “He is a stranger
here, and the old gods will not suffer him to live.”
Theon Greyjoy did not join the uproar. Neither did the men of House
Frey, he did not fail to note. They are strangers here as well, he
thought, watching Ser Aenys Frey and his half-brother Ser Hosteen.
Born and bred in the riverlands, the Freys had never seen a snow
like this. The north has already claimed three of their blood, Theon
thought, recalling the men that Ramsay had searched for fruitlessly,
lost between White Harbor and Barrowton.
(The Turncloak, ADwD)
Hosteen Frey's insistence at going out for battle might be a sign of
uncomfort in the castle.
The deaths set Roose Bolton’s lords to quarreling openly
in the Great Hall. Some were running short of patience. “How long
must we sit here waiting for this king who never comes?” Ser Hosteen
Frey demanded. “We should take the fight to Stannis and make an end
to him.”
(A Ghost in Winterfell, ADwD)
But the Freys have only Manderly as a visible opponent. Later, Lady
Dustin spelled out explicitly how the Freys are unwelcome when when she
answers Aenys Frey.
“I do not claim Lord Wyman does the deeds himself. He
brought three hundred men with him. A hundred knights. Any of them
might have—”
“Night work is not knight’s work,” Lady Dustin said. “And Lord Wyman
is not the only man who lost kin at your Red Wedding, Frey. Do you
imagine Whoresbane loves you any better? If you did not hold the
Greatjon, he would pull out your entrails and make you eat them, as
Lady Hornwood ate her fingers. Flints, Cerwyns, Tallharts, Slates
... they all had men with the Young Wolf.”
“House Ryswell too,” said Roger Ryswell. “Even Dustins out of
Barrowton.” Lady Dustin parted her lips in a thin, feral smile. “The
north remembers, Frey.”
Aenys Frey’s mouth quivered with outrage. “Stark dishonored us. That
is what you northmen had best remember.”
Roose Bolton rubbed at his chapped lips. “This squabbling will not
serve.”
(A Ghost in Winterfell, ADwD)
So Roose has done much to make the Frey uncomfortable among the
northmen, and therefore make them depend on him.
8. Father and Son from Moat Cailin to Winterfell
The relations between Roose and Ramsay are always tense. In Moat Cailin,
Roose did not dare to expose himself to any attack, and used a
subterfuge.
When the rider in the dark armor removed his helm,
however, the face beneath was not one that Reek knew. Ramsay’s smile
curdled at the sight, and anger flashed across his face. “What is
this, some mockery?”
“Just caution,” whispered Roose Bolton, as he emerged from behind
the curtains of the enclosed wagon.
(Reek II, ADwD)
In Barrowton, Roose appeared to barely suffer Ramsay. First Ramsay was
sent to find the lost Freys between White Harbor and Barrowton, while
all northern lords were in Barrow Hall, as if everybody were happy to
have the Bastard away. Here is Roose's arrival in Lord Stout's hall.
A sudden silence seized the feasters ... all but Lord
Ramsay, who tossed aside the bone he had been gnawing, wiped his
mouth on his sleeve, smiled a greasy, wet-lipped smile, and said,
“Father.”
The Lord of the Dreadfort glanced idly at the remnants of the feast,
at the dead dog, at the hangings on the walls, at Reek in his chains
and fetters. “Out,” he told the feasters, in a voice as soft as a
murmur. “Now. The lot of you.”
(Reek III, ADwD)
No greetings from Roose, while Ramsay seems happy to see his father. As
the conversation goes on, Ramsay resents the lack of paternal attention,
and the fact that nobody of note is in Barrowton to welcome him back. In
fact, Ramsay is a pariah among the northern nobility.
“It should have been you who threw the feast, to welcome
me back,” Ramsay complained, “and it should have been in Barrow
Hall, not this pisspot of a castle.”
“Barrow Hall and its kitchens are not mine to dispose of,” his
father said mildly. “I am only a guest there. The castle and the
town belong to Lady Dustin, and she cannot abide you.”
Ramsay’s face darkened. “If I cut off her teats and feed them to my
girls, will she abide me then? Will she abide me if I strip off her
skin to make myself a pair of boots?”
“Unlikely. And those boots would come dear. They would cost us
Barrowton, House Dustin, and the Ryswells.” Roose Bolton seated
himself across the table from his son.
(Reek III, ADwD)
By putting a table between Ramsay and himself, Roose uses a body
language that seems say that he is to side with Lady Dustin. Then Ramsay
complains about Barbrey Dustin.
Roose made a face, as if the ale he was sipping had
suddenly gone sour. “There are times you make me wonder if you truly
are my seed. My forebears were many things, but never fools. No, be
quiet now, I have heard enough.”
(Reek III, ADwD)
Ramsay gets more and more irritated.
“Is this why you left Lady Dustin and your fat pig wife?
So you could come down here and tell me to be quiet?”
(Reek III, ADwD)
When Roose asked for Theon the conversation reaches a boiling point.
“Taking him? Where? He’s mine. You cannot have him.”
Roose seemed amused by that. “All you have I gave you. You would do
well to remember that, bastard. As for this ... Reek ... if you have
not ruined him beyond redemption, he may yet be of some use to us.
Get the keys and remove those chains from him, before you make me
rue the day I raped your mother.”
Reek saw the way Ramsay’s mouth twisted, the spittle glistening
between his lips. He feared he might leap the table with his dagger
in his hand. Instead he flushed red, turned his pale eyes from his
father’s paler ones, and went to find the keys.
(Reek III, ADwD)
Fortunately, the conversation ended here. During the wedding feast,
Roose mentioned his son politely, but never warmly.
Roose organizes his war council when Ramsay enjoys his wedding night.
“The hall is not the place for such discussions, my
lords. Let us adjourn to the solar whilst my son consummates his
marriage. The rest of you, remain and enjoy the food and drink.”
(The Prince of Winterfell, ADwD)
Roose and Ramsay do not speak to each other in Winterfell. Lady Dustin
tells Theon.
“Roose is not pleased. Tell your bastard that.”
(The Turncloak, ADwD)
When Yellow Dick is found dead.
“Burn the body,” Roose Bolton ordered, “and see that you
do not speak of this. I’ll not have this tale spread.”
The tale spread nonetheless. By midday most of Winterfell had heard,
many from the lips of Ramsay Bolton, whose “boy” Yellow Dick had
been.
(A Ghost in Winterfell, ADwD)
So
Ramsay disobeys his father, which is surely
intolerable for Roose. As we will see, Domeric died after disobeying his
father.
When Roose enquires about the murders in Winterfell, Ramsay is not part
of the committee.
Lord Bolton was not alone. Lady Dustin sat with him,
pale-faced and severe; an iron horsehead brooch clasped Roger
Ryswell’s cloak; Aenys Frey stood near the fire, pinched cheeks
flushed with cold.
(A Ghost in Winterfell, ADwD)
Roose lets Barbrey Dustin forget the legitimation of Ramsay in front of
other lords.
“The Bastard did this to you,” Lady Dustin said.
(A Ghost in Winterfell, ADwD)
Finally, here are Roose and Ramsay the morning of the escape.
Up on the dais, Ramsay was arguing with his father. They
were too far away for Theon to make out any of the words, but the
fear on Fat Walda’s round pink face spoke volumes.
(Theon, ADwD)
We'll try to understand this last scene elsewhere. But Roose is losing
control of the situation in Winterfell.
Indeed, here is Roose after first altercation between the Freys and
Manderly.
Roose Bolton said nothing at all. But Theon Greyjoy saw
a look in his pale eyes that he had never seen before—an uneasiness,
even a hint of fear.
(A Ghost in Winterfell, ADwD)
During the second altercation, Roose tries to intervene as Hosteen Frey
has hit Manderly with his sword.
“Stop,” Roose Bolton shouted. “Stop this madness.”
(Theon, ADwD)
Roose is unable to stop the fight with words. Compare with Robert
Baratheon and the Clegane brothers at the tourney of the Hand.
Jon Arryn had told them that a commander needs a good
battlefield voice, and Robert had proved the truth of that on the
Trident. He used that voice now. “STOP THIS MADNESS, “ he boomed,
“IN THE NAME OF YOUR KING!”
The Hound went to one knee. Ser Gregor’s blow cut air, and at last
he came to his senses.
(Eddard VII, AGoT)
Dreadfort soldiers put a halt to the fight. Ramsay had to step in.
“Enough,” roared Lord Ramsay, brandishing his bloody
spear. “Another threat, and I’ll gut you all myself. My lord father
has spoken! Save your wroth for the pretender Stannis.”
Roose Bolton gave an approving nod. “As he says. There will be time
enough to fight each other once we are done with Stannis.”
(Theon, ADwD)
Roose had difficulties calming the animosities between the
Dustins/Ryswells and the Freys.
Lady Dustin parted her lips in a thin, feral smile. “The
north remembers, Frey.”
Aenys Frey’s mouth quivered with outrage. “Stark dishonored us. That
is what you northmen had best remember.”
Roose Bolton rubbed at his chapped lips. “This squabbling will not
serve.”
(A Ghost in Winterfell, ADwD)
Theon's analysis is accurate, I think.
Roose Bolton would welcome such a fight, he sensed. He
needs an end to this. The castle was too crowded to withstand
a long siege, and too many of the lords here were of uncertain
loyalty. Fat Wyman Manderly, Whoresbane Umber, the men of House
Hornwood and House Tallhart, the Lockes and Flints and Ryswells, all
of them were northmen, sworn to House Stark for generations beyond
count. It was the girl who held them here, Lord Eddard’s blood, but
the girl was just a mummer’s ploy, a lamb in a direwolf’s skin. So
why not send the north-men forth to battle Stannis before the farce
unraveled? Slaughter in the snow. And every man who falls is one
less foe for the Dreadfort.
(A Ghost in Winterfell, ADwD)
So Roose finds increasingly difficult to maintain his control over his
three main allies: the Freys, Ramsay and Lady Dustin. Hence he had to
send the Freys out to fight Stannis.
A few more details about Roose and Ramsay in Winterfell caught my
attention.
Here are Winterfell's preparation for the wedding.
All about the yard, dead men hung half-frozen at the end
of hempen ropes, swollen faces white with hoarfrost. Winterfell had
been crawling with squatters when Bolton’s van had reached the
castle. More than two dozen had been driven at spearpoint from the
nests they had made amongst the castle’s half-ruined keeps and
towers. The boldest and most truculent had been hanged, the rest put
to work. Serve well, Lord Bolton told them, and he would be
merciful. Stone and timber were plentiful with the wolfswood so
close at hand. Stout new gates had gone up first, to replace those
that had been burned. Then the collapsed roof of the Great Hall had
been cleared away and a new one raised hurriedly in its stead. When
the work was done, Lord Bolton hanged the workers. True to his word,
he showed them mercy and did not flay a one.
(The Prince of Winterfell, ADwD)
This is what Theon has been told after having arrived in Winterfell. It
seems worthy of consideration that Roose hanged the squatters to silence
them. Those workers have built the stables which crumbled under the
snow. Is there a risk that the same thing happens to the roof of the
Great Hall? Did Roose arrange precisely for that?
Of course having hanged men on display is part of Roose's way of ruling,
which is based on fear. Roose proceeded in the same way when he arrived
in Harrenhal.
When Yellow Dick is found dead, Roose says:
“Burn the body,” Roose Bolton ordered, “and see that you
do not speak of this. I’ll not have this tale spread.”
(A Ghost in Winterfell, ADwD)
I wouldn't have guessed that the Boltons burned their dead (indeed,
Yellow Dick is a man of the Dreadfort). In fact we know from Roose that
the opposite is true.
I forbade it, but Domeric was a man grown and thought
that he knew better than his father. Now his bones lie beneath the
Dreadfort with the bones of his brothers, who died still in the
cradle, and I am left with Ramsay.
(Reek, ADwD)
It seemed to me that only Targaryens and wildlings had this funerary
custom, and that all northmen bury their dead under their heart tree.
Does Roose want to avoid having Yellow Dick buried in the lichyard? Does
he want to avoid that Yellow Dick feed the Stark godswood and avoid that
his memories join the whole Stark dynasty in the tree?
While we are discussing religious practices, something made me tick
during the wedding ceremony in Winterfell.
Ramsay Bolton stood beneath them, clad in high boots of
soft grey leather and a black velvet doublet slashed with pink silk
and glittering with garnet teardrops. A smile danced across his
face. “Who comes?” His lips were moist, his neck red above his
collar. “Who comes before the god?”
(The Prince of Winterfell, ADwD)
God? Singular? It's the first time I ever see a northman avoid
the plural in reference to the divinity. Perhaps a typo.
When Yellow Dick is found dead, Ramsay is furious.
“When we find the man who did this,” Lord Ramsay
promised, “I will flay the skin off him, cook it crisp as crackling,
and make him eat it, every bite.” Word went out that the killer’s
name would be worth a golden dragon.
(A Ghost in Winterfell, ADwD)
The golden dragon is a dissonant note.
Gold is not used as currency in the north, as far as I can tell. Coinage
issued in White Harbor is made of silver. Here is Manderly about the
proposal to mint the coinage of King Robb.
As windy as he was vast, he began by asking Winterfell
to confirm the new customs officers he had appointed for White
Harbor. The old ones had been holding back silver for King’s Landing
rather than paying it over to the new King in the North. “King Robb
needs his own coinage as well,” he declared, “and White Harbor is
the very place to mint it.”
(Bran II, ACoK)
When Ramsay left Winterfell to seek men at the Dreadfort, he brought a
bag of silver taken in the Stark treasure – or perhaps all the Stark
treasure. Mance leaves the Wall to visit Winterfell with a bag of
silver. Of course, it is entirely possible that Ramsay has gold coinage.
Of course, gold is valuable in the north as well, and is the subject of
men's greed (see Walton Steelshank accepting from Jaime Lannister the
gold promised in Harrenhal). The only other time when gold was promised
as a payment is reported by the Liddle.
“The Bastard’s boys, aye. He was dead, but now he’s not.
And paying good silver for wolfskins, a man hears, and maybe gold
for word of certain other walking dead.”
(Bran II, ASoS)
It's again Ramsay who offers gold. But Roose was paid in silver for the
marriage with Walda. So the ruler of the north should not offer southron
gold as payment in my opinion. It's a little political mistake (like, in
our world, offering a prize in a foreign currency) which contributes to
the notion that Ramsay is unfit to rule the north. And I wonder where
does the coin come from (there are many possibilities of course).
While I am at it, the notion of making people eat part of themselves as
punishment is brought up from time to time. Vargo Hoat has suffered such
a torment. That happened to Yellow Dick as well. The night that follows
Yellow Dick's death, Lady Dustin threatens the Freys with a torment
conceived as a combination of Ramsay's punishment of Lady Hornwood and
Whoresbane's episode of disembowlment.
Do you imagine Whoresbane loves you any better? If you
did not hold the Greatjon, he would pull out your entrails and make
you eat them, as Lady Hornwood ate her fingers.
(A Ghost in Winterfell, ADwD)
Another interesting detail, here is Ramsay in Barrowton.
Ramsay Bolton was attired as befit the lord of the
Hornwood and heir to the Dreadfort. His mantle was stitched together
from wolfskins and clasped against the autumn chill by the yellowed
teeth of the wolf’s head on his right shoulder. On one hip he wore a
falchion, its blade as thick and heavy as a cleaver; on the other a
long dagger and a small curved flaying knife with a hooked point and
a razor-sharp edge. All three blades had matched hilts of yellow
bone.
(Reek III, ADwD)
The custom throughout Westeros is to have one's cloak clasped by a
brooch (often in silver) that represents one's house, so I would say
that Ramsay was not attired according to his titles, unless the wolfskin
refers the ancient Bolton practice to wear the skin of the Starks. This
little anomaly might fit well with the title Ramsay attributes himself
(Lord of Winterfell) when he signed Roose's letter to Deepwood Motte,
assuming the signature is not a mistake.
Ramsay seems to have a fixation on hunting wolves. He wants his bitches
to fight wolves.
“He’s trained ’em to kill wolves as well,” Ben Bones had
confided.
(Reek III, ADwD)
More curious even are the blades, or rather the hilts at Ramsay's belt.
First, he wears a falchion. It's the first time such a weapon is
mentioned in Westeros. It is rather baroque, certainly not knightly. It
would fit well a sellsword, and might be close to a Dothraki arakh. It
is certainly understandable that Ramsay has chosen such a weapon given
his training at arms, according to Roose.
I have seen my bastard fight. He is not entirely to
blame. Reek was his tutor, the first Reek, and Reek was never
trained at arms. Ramsay is ferocious, I will grant you, but he
swings that sword like a butcher hacking meat.
(Reek III, ADwD)
The assorted hilts make us think of a present made to Ramsay. Most
curious is the choice of material for the hilts: bone. I am not sure
bone is a very robust material for a hilt. In any case, there are many
swords in the story adorned with jewels (ruby, sapphire chiefly), and we
can suspect them to be vectors for magical influence. Bone is not
decorative. It's rather sinister and dirty. I wonder how Ramsay got his
hands on the blades, and what that means to him.
We see him use the falchion at one point.
[…] lastly on three great wedding pies, as wide across
as wagon wheels, their flaky crusts stuffed to bursting with
carrots, onions, turnips, parsnips, mushrooms, and chunks of
seasoned pork swimming in a savory brown gravy. Ramsay hacked off
slices with his falchion […]
(The Prince of Winterfell, ADwD)
The foreshadowing inherent in this scene will be examined elsewhere.
9. Dogs and horses
As far as animals are concerned, Roose and Ramsay have different
preferences. Ramsay has a passion for his dogs, and Roose has alway been
fond of horses.
Here are Ramsay bitches' names, as far as we can know: Red Jeyne, Grey
Jeyne, Maud, Helicent, Jez, Sara, Willow, Alison. Later in Winterfell
there would be new pup Kyra, obviously named after Theon's poor
bedwarmer. Note that there is no Palla, a sign that she might be alive.
There are two Jeynes, which should sound terrifying to Jeyne Poole.
The views we have on the bitches seem to vary. Theon likes them. But
they are merciless with Lord Stout's old dog.
The dogs enjoyed the run of the hall, however, and
provided the night’s best entertainment, when Maude and Grey Jeyne
tore into one of Lord Stout’s hounds over an especially meaty bone
that Will Short had tossed them. Reek was the only man in the hall
who did not watch the three dogs fight. He kept his eyes on Ramsay
Bolton.
The fight did not end until their host’s dog was dead. Stout’s old
hound never stood a mummer’s chance. He had been one against two,
and Ramsay’s bitches were young, strong, and savage.
(Reek III, ADwD)
We learned that Ramsay has trained the bitches to fight wolves, in a
sign of hostility toward the Starks, we presume. It's probably in
anticipation of the return of Bran and Rickon.
The first sign of Roose's passion for horses is to be found in Arya's
escape:
She had the faster horse, she knew that, she had stolen
one of Roose Bolton’s best from the stables at Harrenhal, but his
speed was wasted here.
(Arya, ASoS)
Then we have Domeric's education.
Horses ... the boy was mad for horses, Lady Dustin will
tell you. Not even Lord Rickard’s daughter could outrace him, and
that one was half a horse herself. Redfort said he showed great
promise in the lists. A great jouster must be a great horseman
first.
(Reek III, ADwD)
When Roose wants to depreciate the mountain clans who have joined
Stannis, he uses the horse angle.
“Stannis and his knights have left Deepwood Motte,
flying the banner of his new red god. The clans of the northern
hills come with him on their shaggy runtish horses.“
(The Prince of Winterfell, ADwD)
Roose likes to hunt on horses his activity precisely when he met
Ramsay's mother. Here is all he finds to deplore after the day is done:
The fox escaped as well, and on our way back to the
Dreadfort my favorite courser came up lame, so all in all it was a
dismal day.
(Reek III, ADwD)
Ramsay reserves a place of honor for his kennelmaster Ben Bones, but not
for his horse master. Nevertheless, he rides a fine horse.
His lordship himself rode Blood, a red stallion with a
temper to match his own.
(Reek III, ADwD)
Red stallions are the mark of something special throughout the books
(Tyrion rides one when he enters King's Landing, Khal Drogo has one, it
is the sigil of House Bracken, Lady Dustin gave one to her husband when
he rode with Eddard Stark). I wonder if it was a present by either Lady
Dustin or the Ryswells. A guest gift? Just before the mention of Blood,
we read.
Behind came Skinner, Sour Alyn, and Damon Dance-for-Me
with his long greased whip, then the Walders riding the grey colts
Lady Dustin had given them.
(Reek III, ADwD)
Since Ramsay is not welcome in Barrow Hall, it would be curious that
Lady Dustin had given Ramsay a gift. One has to remember the context
though, Ramsay has left with his hunting party to find the Freys. He was
supposed to marry "Arya" on his return. But Roose told him that the
wedding had to take place in Winterfell.
After he was her guest in Barrowton, and we never heard about Blood
before. But Ramsay does not seem overly fond of his steed, as he told
Little Walder.
“Oh, leave him be,” said Ramsay. “Just see to Blood. I
rode the bastard hard.”
(Reek III, ADwD)
Of course the word bastard is infamous for Ramsay. Ramsay treated horses
with particular cruelty during the Sack of Winterfell as many horses
were later found dead by Bran and Rickon (and a few dogs as well). The
sack has even an emblematic image:
The last thing Theon Greyjoy saw was Smiler, kicking
free of the burning stables with his mane ablaze, screaming,
rearing...
(Theon VI, ACoK)
And the image could foreshadow the enmity between Ramsay and the
Ryswells. More generally, the contrast between Roose and Ramsay about
horses mirrors their closeness to Barbrey Dustin and her Ryswell
relatives.
10. Roose in Harrenhal
We come to know Roose through Arya's eyes when she serves as his page as
he rules Harrenhal.
What happened in Harrenhal is in many ways similar to the situation in
Winterfell. In both cases, Roose holds an ancient, formidable castle.
Here is the first thing Roose did when he conquered the cursed castle of
Harrenhal.
Tothmure had been sent to the axe for dispatching birds
to Casterly Rock and King’s Landing the night Harrenhal had fallen,
Lucan the armorer for making weapons for the Lannisters, Goodwife
Harra for telling Lady Whent’s household to serve them, the steward
for giving Lord Tywin the keys to the treasure vault. The cook was
spared (some said because he’d made the weasel soup), but stocks
were hammered together for pretty Pia and the other women who’d
shared their favors with Lannister soldiers. Stripped and shaved,
they were left in the middle ward beside the bear pit, free for the
use of any man who wanted them.
(Arya X, ACoK)
Note that Roose hanged people when he arrived in Winterfell as well.
It's tempting to think that these people have been put to death to be
silenced. The mention of the treasure vault is particularly suspicious.
Why not take the treasure, kill all witnesses and blame the Lannisters?
We know that the Boltons have looted in the south.
Farther back came the baggage train—lumbering wayns
laden with provisions and loot taken in the war, and carts crowded
with wounded men and cripples.
(Reek II, ADwD)
But it would remain to explain why Roose could find what Tywin couldn't.
It's perhaps because Roose was considered an ally and a liberator by the
people of Harrenhal, and he was shown the things hidden to Tywin.
Here is the mysterious passage.
Roose Bolton was seated by the hearth reading from a
thick leatherbound book when she entered. “Light some candles,” he
commanded her as he turned a page. “It grows gloomy in here.”
She placed the food at his elbow and did as he bid her, filling the
room with flickering light and the scent of cloves. Bolton turned a
few more pages with his finger, then closed the book and placed it
carefully in the fire. He watched the flames consume it, pale eyes
shining with reflected light. The old dry leather went up with a
whoosh, and the yellow pages stirred as they burned, as if some
ghost were reading them.
(Arya X, ACoK)
I get from this passage that:
1) Roose has been reading for some time (he notices it gets dark, as if
he had been absorbed by the book).
2) The comment
It grows gloomy here might reflect what he is
reading.
3) Roose does not read the book completely.
4) He burns the book calmly and deliberately.
I have a few little things to add. The same day, in the same hearth,
Arya had burned Walda's letter.
Arya took the letter and carried it to the hearth,
stirring the logs with a poker to wake the flames anew. She watched
the parchment twist, blacken, and flare up. [..]Curls of ash floated
up the chimney. Arya squatted beside the fire, watching them rise
through a veil of hot tears.
(Arya X, ACoK)
I am no specialist in burning parchments. It seems to me that
there is a contrast between the burning of the book and the more mundane
burning of the letter. It can't be a coincidence that the two events are
placed in the same chapter. The book seems to consume itself as if it
were much more combustible. What sense shall we make of it?
In the pre-printing era a book is a treasure, so burning one is
significant. The light in Roose's eyes (usually so inexpressive), the
scent of cloves (an essential ingredient of incense, candles with cloves
are used in certain pseudo-magical rituals in the real world) and the
evocation of the ghost make me think of a kind of ceremony, perhaps a
mystical sacrifice of the book, if such a thing makes sense.
The burning of the book has the marks of something special. The word
whoosh
appears a few times in the stories.
We have Jon Snow rescuing Jorah Mormont from the wights.
Metal crunched, glass shattered, oil spewed, and the
hangings went up in a great whoosh of flame.
(Jon VII, AGoT)
Cersei burning the Tower of the Hand with the help of wildfire.
The tower went up with a whoosh.
(Cersei III, AFfC)
The "Horn of Joramun" burned by Melisandre at the Wall.
The Horn of Joramun burst into flame.
It went up with a whoosh as swirling tongues of green and yellow
fire leapt up crackling all along its length. Jon’s garron shied
nervously, and up and down the ranks others fought to still their
mounts as well. A moan came from the stockade as the free folk saw
their hope afire. A few began to shout and curse, but most lapsed
into silence. For half a heartbeat the runes graven on the gold
bands seemed to shimmer in the air. The queen’s men gave a heave and
sent the horn tumbling down into the fire pit.
(Jon III, ADwD)
Finally, Benerro at the Temple of the Red God, in Volantis.
Benerro jabbed a finger at the moon, made a fist, spread
his hands wide. When his voice rose in a crescendo, flames leapt
from his fingers with a sudden whoosh and made the crowd gasp. The
priest could trace fiery letters in the air as well. Valyrian
glyphs. Tyrion recognized perhaps two in ten; one was Doom, the
other Darkness.
(Tyrion VII, ADwD)
In all cases we have a non ordinary fire, either because there is
something magical or a very flammable material. In the last two
instances, something has been freed into the air by the burning.
I wonder what kind of writing there was in the book. Were there runes of
Valyrian glyphs? Are runes and Valyrian glyphs very different? (Were the
runes on the horn of Joramun really runes, rather than glyphs?) In any
case, one feels a parallel between the destruction of the horn and the
destruction of the book.
Leather is not very flammable.
So the leather
of the book, which went in smoke before the pages did, was made of
some extraordinary material.
But what book could it possibly be?
Here is an earlier scene (still the same day).
She spent the next few hours tending to the lord’s
chambers. She swept out the old rushes and scattered fresh
sweet-smelling ones, laid a fresh fire in the hearth, changed the
linens and fluffed the featherbed, emptied the chamber pots down the
privy shaft and scrubbed them out, carried an armload of soiled
clothing to the washerwomen, and brought up a bowl of crisp autumn
pears from the kitchen. When she was done with the bedchamber, she
went down half a flight of stairs to do the same in the great solar,
a spare drafty room as large as the halls of many a smaller castle.
The candles were down to stubs, so Arya changed them out. Under the
windows was a huge oaken table where the lord wrote his letters. She
stacked the books, changed the candles, put the quills and inks and
sealing wax in order.
(Arya X, ACoK)
Note that the candles (of the solar) have burned completely. Roose stays
awake late apparently busy with writing and reading. Curious activity
for a warlord. Note also the armload of soiled clothing. What did Roose
study in Harrenhal? Who did he write to? It might be his correspondence
with Tywin Lannister. But it seems that Roose decided to turn his coat
later the same day.
The scene happened on the day Roose decided to betray the Starks. Here
is a scene from still earlier the same day.
The lord’s bedchamber was crowded when she entered.
Qyburn was in attendance, and dour Walton in his mail shirt and
greaves, plus a dozen Freys, all brothers, half brothers, and
cousins. Roose Bolton lay abed, naked. Leeches clung to the inside
of his arms and legs and dotted his pallid chest, long translucent
things that turned a glistening pink as they fed.
(Arya X, ACoK)
At that moment, the Freys attempt to convince Roose that the war is
lost. But the news that Robb had married a Westerling would came only
later that day, just after has Roose decided to go for a wolf hunt,
signifying to us the betrayal of the Starks.
Let's turn to the false maester Qyburn. The necromancer is clearly part
of Roose's inner circle since he attends the conversation with the
Freys. He is in charge of the leeching and of tending the ravens – even
if Roose's leeching habit predates the encounter with Qyburn. It might
be that Roose has switched from the black leeches to the larger
transparent ones after his encounter with Qyburn. It's never explained
how Qyburn could have gained Roose's trust so quickly.
Here is a guess, among many possible others, to explain what happened:
Qyburn had visited Harrenhal's library as soon as he got in with the
Bloody Mummers. He made some findings of great interest (the book) that
he passed to the new lord, Roose. Thus he gained Lord Bolton's trust and
became Roose's closest advisor (do we know of any other advisor of
Roose, besides, and even that is improbable, Walton Steelshanks?).
Roose rewarded Qyburn handsomely, by sending him to King's Landing as
Jaime's savior, paving the way for Qyburn's rise in King's Landing,
while the other Brave Companions were abandoned to a doomed occupation
of Harrenhal. Qyburn did not start his career in necromancy in King's
Landing. What did he do in Harrenhal? Did he join the Brave Companions
to have access to Harrenhal?
There are good reasons to believe that Harrenhal holds secrets of
interest for the North. Consider Old Nan's stories.
She remembered Old Nan’s stories of the castle built on
fear. Harren the Black had mixed human blood in the mortar, Nan used
to say,
(Arya IV, ACoK)
And Harren had some familiarity with the Wall since his brother was Lord
Commander of the Watch at the time. It's not clear whether the magic of
the Wall had any influence on the building of Harrenhal. If it has (as
suggested by the fact that it appears in old Nan's stories), the
principle of its construction might be the same than for the oldest
castles in the North: the Nightfort and its likely contemporary, the
Dreadfort (speculation based purely on the similarity of names). In any
case, Harrenhal seems linked to blood magic.
Among the former owners of Harrenhal.
[Jaime] found himself remembering tales he had first
heard as a child at Casterly Rock, of mad Lady Lothston who bathed
in tubs of blood and presided over feasts of human flesh within
these very walls.
(Jaime, AFfC)
In the Sworn Sword, Egg describes Shiera Seastar practicing the same
thing to retain her youth and beauty.
"...Did they dance with demons and practice the black
arts?”
“Lady Shiera does. Lord Bloodraven’s paramour. She bathes in blood
to keep her beauty.
(The Sworn Sword)
Once thing has consistently struck observers of Lord Bolton: his
extraordinarily ageless appearance.
Though Roose had been in battles, he bore no scars.
Though well past forty, he was as yet unwrinkled, with scarce a line
to tell of the passage of time. His lips were so thin that when he
pressed them together they seemed to vanish altogether. There was an
agelessness about him, a stillness; on Roose Bolton’s face, rage and
joy looked much the same.
(Reek, ADwD).
This is due to the leeching, at least this is what Roose tells Arya.
Frequent leechings are the secret of a long life. A man
must purge himself of bad blood.
(Arya IX, ADwD)
Of course leeches are primarily bloodsuckers. If any sorcery is involved
in all this, including Roose's perpetual youthfulness, it's bloodmagic.
Was the book read by Roose found in Harrenhal? and known to Lady
Lothston as well? Was Lady Lothston imitating Shiera Shiestar? There are
several hints that Qyburn knows about bloodmagic (his use of a leech on
Jaime, his understanding of Maggy the Frog).
There is no subsequent indication that Roose has any knowledge in
sorcery or learnt something in Harrenhal.
The castle of Harrenhal is reputed to carry a curse that will afflict
whoever holds it. Indeed, the houses Strong, Lothston, Whent are
extinct, it seems. Vargo Hoat, Tywin Lannister, Amory Lorch whoe have
held the castle have all met horrible deaths. We have yet to see Roose
suffer from Harrenhal's curse.
In many ways Harrenhal reminds me of the Nightfort.
Aside from the sinister reputation of Harrenhal, there is an amusing
parallel between Arya's escape from Harrenhal and "Arya"'s escape from
Winterfell. In both cases, Roose was the master of the castle. This is
perhaps what the real Arya would have done in Winterfell if she had been
forced to wed Ramsay.
They would be, she knew. She had stolen three horses
from the stables and a map and a dagger from Roose Bolton’s own
solar, and killed a guard on the postern gate, slitting his throat
when he knelt to pick up the worn iron coin that Jaqen H’ghar had
given her. Someone would find him lying dead in his own blood, and
then the hue and cry would go up. They would wake Lord Bolton and
search Harrenhal from crenel to cellar, and when they did they would
find the map and the dagger missing, along with some swords from the
armory, bread and cheese from the kitchens, a baker boy, a ‘prentice
smith, and a cupbearer called Nan... or Weasel, or Arry, depending
on who you asked.
The Lord of the Dreadfort would not come after them himself. Roose
Bolton would stay abed, his pasty flesh dotted with leeches, giving
commands in his whispery soft voice. His man Walton might lead the
hunt, the one they called Steelshanks for the greaves he always wore
on his long legs. Or perhaps it would be slobbery Vargo Hoat and his
sellswords, who named themselves the Brave Companions. Others called
them Bloody Mummers (though never to their faces), and sometimes the
Footmen, for Lord Vargo’s habit of cutting off the hands and feet of
men who displeased him.
If they catch us, he’ll cut off our hands and feet, Arya thought,
and then Roose Bolton will peel the skin off us. She was still
dressed in her page’s garb, and on the breast over her heart was
sewn Lord Bolton’s sigil, the flayed man of the Dreadfort.
(Arya X, ACoK)
The questions Arya asks herself are certainly mirrored in Theon and
"Arya"'s mind after they escape. Should we take it as foreshadowing:
Roose does not lead the hunt in Winterfell. Note that Ramsay would
threaten to cut "Arya"'s foot as well to prevent her to run away.
Harrenhal has been the theatre of several unlikely associations (Arya
and Jaqen, Arya and Roose, Vargo and Roose, Brienne and Jaime, Jaime and
Roose). Let's look more closely at Qyburn.
Since Roose put Maester Tothmure to death upon his arrival in the
castle, it's likely that he had a plan for getting another maester. The
conquest of Harrenhal is a ploy played with the Brave Companions. So
Roose knew that Qyburn was inside the castle before he conquered it, and
he planned all along to take the false maester in his service. However,
Qyburn soon became a close counsellor of Roose – perhaps the only one in
truth.
The lord’s bedchamber was crowded when she entered.
Qyburn was in attendance, and dour Walton in his mail shirt and
greaves, plus a dozen Freys, all brothers, half brothers, and
cousins. Roose Bolton lay abed, naked. Leeches clung to the inside
of his arms and legs and dotted his pallid chest, long translucent
things that turned a glistening pink as they fed. Bolton paid them
no more mind than he did Arya.
(Arya X, ACoK)
Qyburn is in charge of the ravens, as well as of the leeches. A moment
later:
“There is a letter from your lady wife.” Qyburn pulled a
roll of parchment from his sleeve. Though he wore maester’s robes,
there was no chain about his neck; it was whispered that he had lost
it for dabbling in necromancy.
“You may read it,” Bolton said.
(Arya X, ACoK)
So Roose trusts Qyburn enough to let him read his mail (after all even
Walda Frey's mail can be sensitive).
Note Qyburn reputation for dealing in the dark arts, reported by Gendry.
“Septon Utt likes little boys, Qyburn does black magic,
and your friend Biter eats people.”
(Arya X, ACoK)
Qyburn knows a thing or two about bloodmagic. Indeed, he is on good
terms with Marwyn the Mage. Moreover, here are a couple of conversations
with Cersei.
“It may be as Your Grace suggests, though in most cases
adulterating a poison only lessens its potency. It may be that the
cause is . . . less natural, let us say. A spell, I think.”
Is this one as big a fool as Pycelle? “So are you telling me that
the Mountain is dying of some black sorcery?”
(Cersei II, AFfC)
And when Cersei mentions Maggy the frog.
“The smallfolk used to call her Maggy.”
“Maegi?”
“Is that how you say it? The woman would suck a drop of blood from
your finger, and tell you what your morrows held.” “Bloodmagic is
the darkest kind of sorcery. Some say it is the most powerful as
well.”
(Cersei VIII, AFfC)
In Harrenhal, Qyburn collects some blood from Jaime with a leech.
“I’ll grind some herbs you can mix with wine to bring
down your fever. Come back on the
morrow and I’ll put a leech on your eye to drain the bad blood.” “A
leech. Lovely.”
“Lord Bolton is very fond of leeches,” Qyburn said primly. “Yes,”
said Jaime. “He would be.”
(Jaime IV, ASoS)
This particular wound seems benign, and would not heal particularly
well. So I suspect that collecting Jaime's blood was the real goal of
the intervention. Note also that Qyburn has given a beverage to Jaime
the night before his fever dream. We can suppose that Qyburn could have
practiced his sorcery on Roose through the leeches, or that he has kept
the leeches after the bleeding.
Finally, Roose treated Qyburn handsomely, by sending him to King's
Landing with Jaime, all the while Vargo Hoat and the Brave Companions
were left to die in Harrenhal.
We don't know what is Qyburn endgame. Evidently, he is manipulative of
Cersei, but to what end? We have no sign that Qyburn has manipulated
Roose, or played any active role in the betrayal of the Starks. Nothing
seems to show that Roose and Qyburn were more than simply allies of
circumstances. I can't help wondering whether Qyburn is still
communicating with Roose. Indeed there is this little line from Lady
Dustin during the Winterfell wedding feast.
Tywin Lannister is dead, the Kingslayer is maimed, the
Imp is fled. The Lannisters are a spent force, and you were kind
enough to rid him of the Starks.
(The Prince of Winterfell, ADwD)
It seems clear that Lady Dustin and Roose are close allies and that her
information might come from Roose. In turn, Qyburn would be perfectly
placed to estimate that
The Lannisters are a spent force.
Qyburn offers an opinion in Cersei's small council on the appropriate
course to follow in the north.
“A little spittle on Lord Walder’s tomb is not like to
disturb the grave worms,” Qyburn agreed, “but it would also be
useful if someone were to be punished for the Red Wedding. A few
Frey heads would do much to mollify the north.”
(Cersei IV, AFfC)
It is not known whether Roose and Qyburn have kept in touch. If they
have it is tempting to ask what is Roose's contribution to this opinion?
In any case, it is likely to be a good insight into Roose's thinking as
well.
It's a common superstition to believe that Harrenhal is cursed: anyone
who holds the castle is bound to meet a terrible fate. The story started
with Harren the Black, burned in his tower shortly after the completion
of the fortress. Then, no house seemed to have held the castle for long:
House Strong, House Lothston, House Whent. Then Tywin Lannister,
murdered by his son. Then Amory Lorch, devoured by a bear in a strange
Qohorik ritual which recalls the dancing bears of the neighoring city,
Norvos. Then Roose Bolton. Then Vargo Hoat, made to eat himself. Then
Gregor Clegane poisoned and agonizing over monthes in the depth of the
Red Keep. There is no sign of the curse yet on Roose, unless that is
what caused him to tell Theon.
I will not live long enough to see new sons to
manhood, and boy lords are the bane of any House.
(Reek III, ADwD)
Harrenhal seems to make women barren, which might be why so t All Whent
women, except Catelyn Stark's mother, seem to have been barren. And
pretty Pia, despite numerous rapes, never got pregant.
Let's recapitulate Roose's strange practices:
- all his trueborn sons are dead,
- he gets leeched for long life,
- he appears ageless,
- he got acquainted easily with a noted practionner of black magic,
- he reads and burns arcane books,
- he commited deliberately the act of kingslaying.
Does this explain Roose's strange indifference to political matters
expressed to Theon?
“The north. The Starks were done and doomed the night
that you took Winterfell.” He waved a pale hand, dismissive. “All
this is only squabbling over spoils.”
(Reek III, ADwD)
I am left to wonder whether Roose has not played with fire (or rather
ice), and blood magic. The laws of retribution are unclear with magic,
but it seems that practitionners have to pay a price.
11. The Kingslayer
Roose, usually so prudent, seems to have come in person to the
wedding to kill the king in the north with his own hand in the middle
of the fighting.
A man in dark armor and a pale pink cloak spotted with
blood stepped up to Robb. “Jaime Lannister sends his regards.” He
thrust his longsword through her son’s heart, and twisted.
(Catelyn VII, ASoS)
That makes of Roose a
Kingslayer – hence the mention
of Jaime Lannister, I suppose. The gravity of the Kingslayer appellation
is unclear in the books. It's possible that kings were once sacrificed
in Westeros, perhaps given to the heart trees and the Kingslayer was
perhaps the priest in charge of such sacrifices. Or perhaps, a new king
could claim the throne after slaying the previous king from his own
hand. This is all hypothetical, and I find little support in the text,
except perhaps the importance of kingsblood for certain spells of blood
magic. (And perhaps the way Mance earned the title of
king-beyond-the-Wall, after defeating all the other pretenders. We are
left to think a new king could rise by defeating Mance.)
Why did Roose want to endorse the responsability of kingslaying? It
seems an act of pride. Before the Red Wedding, we heard the
justifications of another kingslayer over many chapters.
Jaime Lannisters thinks himself misunderstood, as an oathbreaker.
“You’ve harmed others. Those you were sworn to protect.
The weak, the innocent...”
“... the king?” It always came back to Aerys. “Don’t presume
to judge what you do not understand, wench.”
“My name is -”
“ - Brienne, yes. Has anyone ever told you that you’re as
tedious as you are ugly?”
“You will not provoke me to anger, Kingslayer.”
“Oh, I might, if I cared enough to try.”
“Why did you take the oath?” she demanded. “Why don the white
cloak if you meant to betray
all it stood for?”
Why? What could he say that she might possibly understand? “I
was a boy. Fifteen. It was a great honor for one
so young.”
(Jaime II, ASoS)
Don’t presume to judge what you do not understand, wench. That
might be self-serving. Since Brienne is unjustly accused of kingslaying,
an interesting dialogue ensues.
Brienne was still awaiting his answer. Jaime said, “You
are not old enough to have known Aerys Targaryen...”
She would not hear it. “Aerys was mad and cruel, no one has
ever denied that. He was still king, crowned and anointed. And you
had sworn to protect him.”
“I know what I swore.”
“And what you did.” She loomed above him, six feet of
freckled, frowning, horse-toothed disappr oval.
“Yes, and what you did as well. We’re both kingslayers here,
if what I’ve heard is true.”
“I never harmed Renly. I’ll kill the man who says I did.”
“Best start with Cleos, then. And you’ll have a deal of
killing to do after that, the way he tells the
tale.”
“Lies. Lady Catelyn was there when His Grace was murdered,
she saw. There was a shadow.
The candles guttered and the air grew cold, and there was
blood -”
“Oh, very good.” Jaime laughed. “Your wits are quicker than
mine, I confess it. When they found me standing
over my dead king, I never thought to say, ‘No, no, it wasn’t me, it
was a shadow, a terrible cold shadow. “‘ He laughed again. “Tell me
true, one kingslayer to another did the Starks pay you to slit his
throat, or was it Stannis? Had Renly spurned you, was that the way
of it? Or perhaps your moon’s blood was on you. Never give a wench a
sword when she’s bleeding.”
(Jaime II, ASoS)
Jaime has taken care to wear a golden armor, perhaps like a true
Lannister, just like Roose took the care to wear the arms of his own
house.
But when he closed his eyes, it was Aerys Targaryen he
saw, pacing alone in his throne room, picking at his scabbed and
bleeding hands. The fool was always cutting himself on the blades
and barbs of the Iron Throne. Jaime had slipped in through the
king’s door, clad in his golden armor, sword in hand. The golden
armor, not the white, but no one ever remembers that. Would that I
had taken off that damned cloak as well.
(Jaime II, ASoS)
Next we have the ironic mention of the Stark judgment after the
kingslaying.
Then he climbed the Iron Throne and seated himself
with his sword across his knees, to see who would come to claim the
kingdom. As it happened, it had been Eddard Stark.
You had no right to judge me either, Stark.
(Jaime II, ASoS)
Jaime insists that he is misunderstood.
“The Kingslayer, yes. The oathbreaker who murdered poor
sad Aerys Targaryen.” Jaime snorted. “It’s not Aerys I rue, it’s
Robert. ‘I hear they’ve named you Kingslayer’ he said to me at his
coronation feast. ‘Just don’t think to make it a habit.’ And he
laughed. Why is it that no one names Robert oathbreaker? He tore the
realm apart, yet I am the one with shit for honor.”
“Robert did all he did for love.” Water ran down Brienne’s
legs and pooled beneath her feet.
“Robert did all he did for pride, a cunt, and a pretty face.”
He made a fist... or would have, if he’d had a hand. Pain lanced up
his arm, cruel as laughter.
(Jaime II, ASoS)
Finally, Jaime explains that the kingslaying prevented a mass murder.
“My Sworn Brothers were all away, you see, but Aerys
liked to keep me close. I was my father’s son, so he did not trust
me. He wanted me where Varys could watch me, day and night. So I
heard it all.” He remembered how Rossart’s eyes would shine when he
unrolled his maps to show where the substance must be placed.
Garigus and Belis were the same. “Rhaegar met Robert on the Trident,
and you know what happened there. When the word reached court, Aerys
packed the queen off to Dragonstone with Prince Viserys. Princess
Elia would have gone as well, but he forbade it. Somehow he had
gotten it in his head that Prince Lewyn must have betrayed Rhaegar
on the Trident, but he thought he could keep Dorne loyal so long as
he kept Elia and Aegon by his side. The traitors want my city, I
heard him tell Rossart, but I’ll give them naught but ashes. Let
Robert be king over charred bones and cooked meat. The Targaryens
never bury their dead, they burn them. Aerys meant to have the
greatest funeral pyre of them all. Though if truth be told, I do not
believe he truly expected to die. Like Aerion Brightfire before him,
Aerys thought the fire would transform him... that he would rise
again, reborn as a dragon, and turn all his enemies to ash.
“Ned Stark was racing south with Robert’s van, but my
father’s forces reached the city first. Pycelle convinced the king
that his Warden of the West had come to defend him, so he opened the
gates. The one time he should have heeded Varys, and he ignored him.
My father had held back from the war, brooding on all the wrongs
Aerys had done him and determined that House Lannister should be on
the winning side. The Trident decided him.
“It fell to me to hold the Red Keep, but I knew we were lost.
I sent to Aerys asking his leave to make terms. My man came back
with a royal command. ‘Bring me your father’s head, if you are no
traitor.’ Aerys would have no yielding. Lord Rossart was with him,
my messenger said. I knew what that meant.
“When I came on Rossart, he was dressed as a common
man-at-arms, hurrying to a postern gate. I slew him first. Then I
slew Aerys, before he could find someone else to carry his message
to the pyromancers. Days later, I hunted down the others and slew
them as well. Belis offered me gold, and Garigus wept for mercy.
Well, a sword’s more merciful than fire, but I don’t think Garigus
much appreciated the kindness I showed him.”
The water had grown cool. When Jaime opened his eyes, he
found himself staring at the stump of his sword hand. The hand that
made me Kingslayer. The goat had robbed him of his glory and his
shame, both at once. Leaving what? Who am I now?
The wench looked ridiculous, clutching her towel to her
meager teats with her thick white legs sticking out beneath. “Has my
tale turned you speechless? Come, curse me or kiss me or call me a
liar. Something.”
“If this is true, how is it no one knows?”
“The knights of the Kingsguard are sworn to keep the king’s
secrets. Would you have me break my oath?” Jaime laughed. “Do you
think the noble Lord of Winterfell wanted to hear my feeble
explanations? Such an honorable man. He only had to look at me to
judge me guilty.” Jaime lurched to his feet, the water running cold
down his chest. “By what right does the wolf judge the lion? By what
right?” A violent shiver took him, and he smashed his stump against
the rim of the tub as he tried to climb out.
(Jaime V, ASoS)
Each of us can form an opinion on the real motivations of Jaime
Lannister. Certainly, a range of interpretation remains. Jaime and Roose
Bolton are put in parallel in the chapters that led to the Red Wedding.
Without any claim of moral equivalence between the two characters, the
organisation of the story is an invitation to have a second look at
Roose Bolton. Didn't we hear that Jaime felt misunderstood?
It
is worth thinking that Roose felt that the kingslaying was justified
by the greater good.
Here are Roose and Qyburn on the day, perhaps on the moment, Roose
decided to betray the Starks.
“It is wolves I mean to hunt. I can scarcely sleep at
night for the howling.” Bolton buckled on his belt, adjusting the
hang of sword and dagger. “It’s said that direwolves once roamed the
north in great packs of a hundred or more, and
feared neither man nor mammoth, but that was long ago and in another
land. It is queer to see the common wolves of the south so bold.”
“Terrible times breed terrible things, my lord.”
Bolton showed his teeth in something that might have been a
smile. “Are these times so terrible, Maester?”
“Summer is gone and there are four kings in the realm.”
“One king may be terrible, but four?”
(Arya X, ACoK)
It's an enigmatic piece of dialogue, that follows the Freys' attempt to
persuade Roose to stop the war. But it precedes the news of the
Westerling marriage. It could be understood in one way: Roose Bolton's
treason is not to be understood in terms of the inevitable defeat in the
war, but in terms of the danger of the rule of the Young Wolf and his
direwolf.
It’s said that direwolves once roamed the north
in great packs of a hundred or more, and feared neither man nor
mammoth, but that was long ago and in another land. It is queer to see
the common wolves of the south so bold.
The packs of direwolves appear to be curses on the land, from
which the realm should be preserved. So Roose felt the need to put a
halt to Robb Stark's reign.
Terrible times breed terrible things,
my lord. (I shall add that I might perceive why Roose realizes
the danger in Harrenhal, but that would take us to far too explain.)
Roose Bolton has no friend, no confident like Brienne was to Jaime. How
will we ever know about the workings of his mind and conscience?
12. The Washerwoman of the Weepwater Mill
The story of Ramsay's birth can be of no significance or be one the most
profound story in the whole saga.
Here is Roose's account to Theon.
“Has my bastard ever told you how I got him?”
That he did know, to his relief. “Yes, my ... m’lord. You met his
mother whilst out riding and were smitten by her beauty.”
“Smitten?” Bolton laughed. “Did he use that word? Why, the boy has a
singer’s soul ... though if you believe that song, you may well be
dimmer than the first Reek. Even the riding part is wrong. I was
hunting a fox along the Weeping Water when I chanced upon a mill and
saw a young woman washing clothes in the stream. The old miller had
gotten himself a new young wife, a girl not half his age. She was a
tall, willowy creature, very healthy-looking. Long legs and small
firm breasts, like two ripe plums. Pretty, in a common sort of way.
The moment that I set eyes on her I wanted her. Such was my due. The
maesters will tell you that King Jaehaerys abolished the lord’s
right to the first night to appease his shrewish queen, but where
the old gods rule, old customs linger. The Umbers keep the first
night too, deny it as they may. Certain of the mountain clans as
well, and on Skagos ... well, only heart trees ever see half of what
they do on Skagos.
“This miller’s marriage had been performed without my leave or
knowledge. The man had cheated me. So I had him hanged, and claimed
my rights beneath the tree where he was swaying. If truth be told,
the wench was hardly worth the rope. The fox escaped as well, and on
our way back to the Dreadfort my favorite courser came up lame, so
all in all it was a dismal day.
“A year later this same wench had the impudence to turn up at the
Dreadfort with a squalling, red-faced monster that she claimed was
my own get. I should’ve had the mother whipped and thrown her child
down a well ... but the babe did have my eyes. She told me that when
her dead husband’s brother saw those eyes, he beat her bloody and
drove her from the mill. That annoyed me, so I gave her the mill and
had the brother’s tongue cut out, to make certain he did not go
running to Winterfell with tales that might disturb Lord Rickard.
Each year I sent the woman some piglets and chickens and a bag of
stars, on the understanding that she was never to tell the boy who
had fathered him. A peaceful land, a quiet people, that has always
been my rule.”
“A fine rule, m’lord.”
“The woman disobeyed me, though. You see what Ramsay is. She made
him, her and Reek, always whispering in his ear about his rights. He
should have been content to grind corn. Does he truly think that he
can ever rule the north?”
(Reek III, ADwD)
Roose has said a moment before about the first Reek.
No one could stand to be near him, so he slept with the
pigs ... until the day that Ramsay’s mother appeared at my gates to
demand that I provide a servant for my bastard, who was growing up
wild and unruly. I gave her Reek. It was meant to be amusing, but he
and Ramsay became inseparable. I do wonder, though ... was it Ramsay
who corrupted Reek, or Reek Ramsay?”
(Reek III, ADwD)
and later, Roose answers Theon.
“He fights for you,” Reek blurted out. “He’s strong.”
“Bulls are strong. Bears. I have seen my bastard fight. He is not
entirely to blame. Reek was his tutor, the first Reek, and Reek was
never trained at arms. Ramsay is ferocious, I will grant you, but he
swings that sword like a butcher hacking meat.”
(Reek III, ADwD)
So the story if full of contradictions and confusions.
First, it would seem that Ramsay would tell the story differently
(according to his mother, I would guess). Ramsay has the riding part
right, since Roose is on horse. It seems to me that he is right to say
Roose was smitten:
The moment that I set eyes on her I wanted her,
and see the description of the woman. We will see below how Roose's
emotions are expressed by his eyes. That is all the more surprising that
when Roose had to make his choice between Fat Walda and Fair Walda for a
spouse, he was completely impervious to the charms and attractiveness of
Fair Walda.
Roose seems in denial about his own feelings towards the woman.
Indeed, when she shows up a year later with the baby, he yields to her,
and offers her support, despite what seems to be his personal policy of
throwing bastards at the bottom of wells. He expects silence from her,
but does not punish her when she reveals Ramsay as his bastard. He
reinstalls her at the mill, after she has been thrown out and hit by her
brother-in-law, whose tongue is cut to keep him quiet. Roose gives
Ramsay a servant, when she makes the demand (neither Ramsay, nor the
woman seems unhappy with Reek). More extraordinary even, let's return to
Domeric's story.
He wanted a brother by his side, so he rode up the
Weeping Water to seek my bastard out. I forbade it, but Domeric was
a man grown and thought that he knew better than his father.
(Reek III, ADwD)
We know that Ramsay was still living with his mother at the time, and
Ramsay killed him. A sickness of the bowels, Maester
Uthor says, but I say poison.
(Reek III, ADwD)
We will return to the death of Domeric. But, it defies belief that Roose
accepted to have his trueborn son killed by Ramsay. After this, Ramsay
was admitted at the Dreadfort.
That Domeric rode up the Weepwater seems to have been a transgression,
as if the miller's wife territory were forbidden to him. In any case,
Roose
can not account rationally for all that happened. It appears
that the
woman has power over Roose. The people of the
Seven Kingdoms form a class-conscious society. Roose is particularly
aware of class differences. He always uses proper etiquette, even when
he speaks of his enemies. So being wildly attracted to a lowborn woman
must have been distasteful for him, hence the denial of his feelings and
the internal contradiction in his treatment of Ramsay.
Note that Roose did little, if anything to educate Ramsay. Compare with
Domeric, who was trained as a knight, played the harp, read histories.
So Ramsay was always treated like a bastard. But Roose always sustained
him and gave him power.
There might be more than denied feelings in Roose's behaviour.
The
miller's wife is aware of the power she has over Roose, otherwise she
wouldn't have come to the Dreadfort with he baby at the risk of losing
her son's life.
A few things caught my attention:
The miller's wife appeared first to Roose as a washerwoman. I am fond of
legends of washerwoman who are spirits in disguise come to this world to
make sinners pay for their faults. In some tales, meeting a washerwomen
at night in the countryside is an omen of death.
Roose met her as he was hunting a fox. One might read the story like a
fairy tale and say the fox led Roose to the mill.
The washerwoman appeared unknown to Roose. Where did she come from? Her
physical appearance (tall, lean, healthy looking) makes me think of Osha
and Rowan.
To conclude about the washerwoman of the Weepwater, it seems Ramsay was
fond of his mother. He seems keen on saying his father was smitten by
his mother's beauty. And when Roose says.
Roose seemed amused by that. “All you have I gave you.
You would do well to remember that, bastard. As for this ... Reek
... if you have not ruined him beyond redemption, he may yet be of
some use to us. Get the keys and remove those chains from him,
before you make me rue the day I raped your mother.”
Reek saw the way Ramsay’s mouth twisted, the spittle glistening
between his lips. He feared he might leap the table with his dagger
in his hand.
(Reek III, ADwD)
Ramsay barely contains his anger. Ramsay usually speaks of his father
with respect if not adoration. For instance, he says of Reek.
Reek has been with me since I was a boy. My lord father
gave him to me as a token of his love.
(Reek I, ADwD)
As a proof of fatherly love, giving Reek as a servant left to be
desired.
After Ramsay got admitted at the Dreadfort, we have no sign of the
washerwoman. There is no hint that she was behind the request for
legitimation formulated by Roose to the Lannisters.
Here is Ramsay's description:
Ramsay was clad in black and pink—black boots, black
belt and scabbard, black leather jerkin over a pink velvet doublet
slashed with dark red satin. In his right ear gleamed a garnet cut
in the shape of a drop of blood. Yet for all the splendor of his
garb, he remained an ugly man, big-boned and slope-shouldered, with
a fleshiness to him that suggested that in later life he would run
to fat. His skin was pink and blotchy, his nose broad, his mouth
small, his hair long and dark and dry. His lips were wide and meaty,
but the thing men noticed first about him were his eyes. He had his
lord father’s eyes—small, close-set, queerly pale.
(Reek I, ADwD)
And now Roose:
The Lord of the Dreadfort did not have a strong likeness
to his bastard son. His face was clean-shaved, smooth-skinned,
ordinary, not handsome but not quite plain. Though Roose had been in
battles, he bore no scars. Though well past forty, he was as yet
unwrinkled, with scarce a line to tell of the passage of time. His
lips were so thin that when he pressed them together they seemed to
vanish altogether. There was an agelessness about him, a stillness;
on Roose Bolton’s face, rage and joy looked much the same. All he
and Ramsay had in common were their eyes.
(Reek II, ADwD)
No resemblance except for the eyes, finally Ramsay's mother.
She was a tall, willowy creature, very healthy-looking.
Long legs and small firm breasts, like two ripe plums. Pretty, in a
common sort of way.
(Reek III, ADwD)
No resemblance either.
It's tempting to see Ramsay as a changeling or, more prosaically, a
switched baby. A baby who happened to have the rare pale blue eyes was
put in Ramsay's place. Depending on the woman true nature (a wood witch,
a spirit, etc) there could be something not quite natural going on.
I find instructive to compare the washerwoman to Gilly. Like the
washerwoman, Gilly depended entirely on the power she had over Sam to
escape Craster's keep and save the life of her baby, and later survive
at the Wall. It's striking that Sam felt compelled to help Gilly as soon
as he set his eyes on her. Indeed, Sam helped Gilly and arranged for her
to meet Jon Snow as soon as the first night at Craster's keep, all in
defiance of Mormont's order.
Gilly's strategy of seeking Sam's help proved to be an extraordinary
success. Sam did escape with her, he saved her son, he intended to find
a place for her in his family, and even to present his son as his
bastard – leaving the son some small chance to inherit Horn Hill
eventually. I do not claim that Gilly was deliberately manipulative,
but, at some level, she was. No need to invoke anything non-natural, of
course. But, we are led to suspect that Gilly's son will play a certain
role in the future. Since he has taken the place of the "little
prince" son of the King-beyond-the-Wall, he is, in effect, a changeling.
Since we see Sam and Gilly as victims and sympathetic characters, it is
easy to overlook how unnatural is their relationship, however touching
we may find it. It's true that many rangers take wildling women as
mistresses. But the process might follow the same pattern over and over.
I will stop here about Gilly, but we will return to the resemblance
between Ramsay and Craster's son. But there seems to be something about
wildling women: they are the one who transmit culture (Osha, Ygritte,
the wisewoman who helped Mance all learned from their mothers, and their
mothers before them).
One little story might have followed the same model. Among the infamous
commanders of the Night's Watch, Benjen Stark mentions:
Lord Commander Runcel Hightower tried to bequeathe the
Watch to his bastard son.
(Jon VII, ASoS)
Whether the bastard was fathered in the Seven Kingdoms or (more likely)
with a wildling woman beyond the Wall is not said.
Domeric's education is a indication that the Boltons were going away
from the Old Ways of the north. Roose seems to have been torn all along
between the old customs of the north and the new, modern Westeros that
Rickard Stark seemed to be embracing with his southron ambitions.
13. The Stark Direwolves
We are going to look at the following theme.
The logic of the story of Roose accepting, more or less grudgingly,
Ramsay at the Dreadfort recalls in many ways Eddard Stark accepting
the direwolves as domestic animals in Winterfell.
Indeed here is Eddard's reaction to the idea of adopting the direwolves.
Father frowned. “This is only a dead animal, Jory,” he
said. Yet he seemed troubled.
(Bran I, AGoT)
And a moment later.
Bran looked to his lord father for rescue, but got only
a frown, a furrowed brow. “Hullen speaks truly,
son. Better a swift death than a hard one from cold and starvation.”
“No!” He could feel tears welling in his eyes, and he looked
away. He did not want to cry in front of his
father.
Robb resisted stubbornly. “Ser Rodrik’s red bitch whelped
again last week,” he said. “It was a small litter,
only two live pups. She’ll have milk enough.”
“She’ll rip them apart when they try to nurse.”
“Lord Stark,” Jon said. It was strange to hear him call
Father that, so formal. Bran looked at him with
desperate hope. “There are five pups,” he told Father. “Three male,
two female.” “What of it, Jon?”
“You have five trueborn children,” Jon said. “Three sons, two
daughters. The direwolf is the sigil of your
House. Your children were meant to have these pups, my lord.”
(Bran I, AGoT)
And finally.
“You must train them as well,” their father said. “You
must train them. The kennelmaster will have nothing to do with these
monsters, I promise you that. And the gods help you if you neglect
them, or brutalize them, or train them badly. These are not dogs to
beg for treats and slink off at a kick. A direwolf will rip a man’s
arm off his shoulder as easily as a dog will kill a rat. Are you
sure you want this?”
(Bran I, AGoT)
Note the use of the word
monster, used for Ramsay by Roose,
and by Val about Craster's son.
In both cases, we have mothers bringing babies to a high lord. In both
cases the lords' first impulse is to get rid of the babies, before
feeling compelled, somewhat irrationally, to accept and foster the
newborns. In both cases physical peculiarities have played an important
role in the acceptance: the eyes for the Bolton, the exact
correspondence in terms of gender, number and color, between the pups
and the children for the Starks. It might be that both Ramsay and the
wolves are "gifts" from beyond the Wall, as we will see. Didn't Robett
Glover say that Ramsay is a beast in human form? Isn't the bond between
the Stark children and their wolves similar to the bond between Reek,
the companion demanded by Ramsay's mother, and Ramsay? Consider again
the passage:
...until the day that Ramsay’s mother appeared at my gates to demand
that I provide a servant for my bastard, who was growing up wild and
unruly. I gave her Reek. It was meant to be amusing, but he and Ramsay
became inseparable. I do wonder, though ... was it Ramsay who
corrupted Reek, or Reek Ramsay?
(Reek III, ADwD)
It recalls that a warg has part of his wolf in him – and conversely. I
am not considering warging between Ramsay and Reek at this point, just a
bond. Whether Ramsay is a warg remains to be seen. His habit of naming
his female pups after his victims recall the second life of wargs,
though. Reek and Ramsay would hunt together, just like a warg and his
wolf would, I suppose. I wonder if the companion expected for Ramsay
wasn't Domeric, and Roose tried to deflect the "gift" by offering Reek.
14. The Death of Domeric
The way Roose describes the death of Domeric, and his subsequent
reaction concentrates very well Roose's contradictions in his relation
to Ramsay.
Domeric appears to be remembered with fondness by Roose. Here are the
circumstances of his death. Roose says:
Ramsay killed him. A sickness of the bowels, Maester
Uthor says, but I say poison.
(Reek III, ADwD)
A few things can be noted:
1) It appears that Roose is the one that accuses Ramsay.
2) Poison is not a likely assassination method for Ramsay.
3) Maester are trained in using poison, and Maester Uthor did not detect
it. Therefore the poison would have to be elaborate. There is an
elaborate poison that seems to fit.
This is a crueler poison, but tasteless and odorless,
hence easier to hide. The tears of Lys, men call it. Dissolved in
wine or water, it eats at a man’s bowels and belly, and kills as a
sickness of those parts.
(Cat of the Canals, AFfC)
It seems unlikely that Ramsay could have put his hands on such a poison
while he was still at the mill. The existing poisons have been listed
carefully in the books, and they are known to maesters. So if he
poisoned Domeric, it would seem that Ramsay had a better knowledge than
maester Uthor about poisons.
Whatever the reality behind Domeric's death,
if Rooses wanted
to absolve his bastard, he would just have to nod at the maester's
pronouncement.
Let's look more precisely at Roose's accusations.
Roose did advertise that Ramsay killed Domeric in a few other occasions,
never directly in public, since there is the taboo of kinslaying. Here
is what Roose wrote at the news of Ramsay's death.
Ned had always been fiercely protective of Jon, and
Ser Cortnay Penrose had given up his life for this Edric Storm, yet
Roose Bolton’s bastard had meant less to him than one of his dogs,
to judge from the tone of the queer cold letter Edmure had gotten
from him not three days past.
He had crossed the Trident and was marching on Harrenhal as
commanded, he wrote. “A strong castle, and well garrisoned, but His
Grace shall have it, if I must kill every living soul within to make
it so.” He hoped His Grace would weigh that against the crimes of
his bastard son, whom Ser Rodrik Cassel had put to death. “A fate he
no doubt earned,” Bolton had written. “Tainted blood is ever
treacherous, and Ramsay’s nature was sly, greedy, and cruel. I count
myself well rid of him. The trueborn sons my young wife has promised
me would never have been safe while he lived.”
(Catelyn VI, ACoK)
The last sentence would appear to accuse Ramsay of Domeric's death.
Roose's reaction to Ramsay's death betrays no grief. Recently deceased
people are usually talked about in the best possible terms, sincerely or
not. Here Roose feels the need to insist on the kinslaying potential of
Ramsay, as if he wanted to accuse Ramsay. Walda Frey writes to Roose:
I pray for you morn, noon, and night, my sweet lord,”
she wrote, “and count the days until you share my bed again. Return
to me soon, and I will give you many trueborn sons to take the place
of your dear Domeric and rule the Dreadfort after you.
(Arya X, ACoK)
And later, there is a conversation between Catelyn and the whole
northern nobility:
“Your bastard was accused of grievous crimes,” Catelyn
reminded him sharply. “Of murder, rape, and worse.”
“Yes,” Roose Bolton said. “His blood is tainted, that cannot be
denied. Yet he is a good fighter, as cunning as he is fearless. When
the ironmen cut down Ser Rodrik, and Leobald Tallhart soon after, it
fell to Ramsay to lead the battle, and he did. He swears that he
shall not sheathe his sword so long as a single Greyjoy remains in
the north. Perhaps such service might atone in some small measure
for whatever crimes his bastard blood has led him to commit.” He
shrugged. “Or not. When the war is done, His Grace must weigh and
judge. By then I hope to have a trueborn son by Lady Walda.”
(Catelyn VI, ASoS)
Catelyn appears to allude to Domeric's death. What is worse than murder
and rape, if not kinslaying? Certainly it was known from Maester Luwin's
letters that Ramsay had wed and killed Lady Hornwood, but that doesn't
appear to constitute kinslaying, or anything worse than murder. I
suppose that Roose would at least appear to dispute that Ramsay had
killed Lady Hornwood, since it all happened far away, in the confusion
of war etc. Since Roose acquiesces, Catelyn has to refer to Domeric's
death.
So Roose has accused Ramsay of Domeric's murder, while it was
completely in his power to absolve his bastard.
That raises the question of whether Roose himself killed Domeric. There
is no apparent mobile for that. I can see two possibilities:
Roose has several sons who died in the grave, presumably from his second
wife, Bethany Ryswell. Were they killed deliberately for a dark reason?
Note that the bones of the sons, as well as the bones of Domeric are
below the Dreadfort.
We saw that Ramsay's mother has power over Roose. Domeric was in
Ramsay's path to power. Did she command Roose to have Domeric put to
death? By having Roose kill Domeric, Ramsay is innocent of the
kinslaying sin.
In any case,
there is a political benefit for Roose to paint
his son as a monster (no crime is worse than kinslaying in
Westeros). Indeed, Roose has the option of sacrificing Ramsay to retain
his power in the north. He can put on him the blame for many crimes:
Lady Hornwood's murder, and the betrayal of the Cerwyns and Tallharts
before the Sack of Winterfell. Thus he could retain the loyalty of those
houses by getting rid of Ramsay, and let Ramsay bear all the blame for
the Sack of Winterfell.
It would remain to explain Roose's fatalism.
“My lord has a new wife to give him sons.”
“And won’t my bastard love that? Lady Walda is a Frey, and she has a
fertile feel to her. I have become oddly fond of my fat little wife.
The two before her never made a sound in bed, but this one squeals
and shudders. I find that quite endearing. If she pops out sons the
way she pops in tarts, the Dreadfort will soon be overrun with
Boltons. Ramsay will kill them all, of course. That’s for the best.
I will not live long enough to see new sons to manhood, and boy
lords are the bane of any House. Walda will grieve to see them die,
though.”
(Reek III, ADwD)
Of course, Roose could prevent his future sons to be killed by Ramsay.
What is the meaning of this? Is Roose still under the power of Ramsay's
mother, and therefore resigned to see Ramsay receive the inheritance? Is
Roose addressing a message to Ramsay through Theon?
Roose advertises Ramsay's cruelty and paint him deliberately as a
kinslayer. Roose surely realizes the consequences of this. That accuses
Ramsay of having murdered Barbrey Ryswell's beloved nephew. Moreover,
the Freys, especially Fat Walda, must be awfully worried. I wonder
whether this is not the principal reason of the large Frey army present
at Winterfell: defend Fat Walda, intended by old Walder Frey to be the
lady wife of the Warden of the north, or perhaps the queen of the north.
In the logic of the power the woman of the Weepwater Mill has over
Roose, here is my guess on the reason of Domeric's death. Domeric's
visit to the mill is presented by Roose as a transgression, the
violation of a taboo. Moreover, Domeric stood in Ramsay's path to
inheritance. Finally, the southern education of Domeric made him
unacceptable as Lord of the Dreadfort.
So Domeric had to pay with his life. Ramsay's mother demanded it, and,
once again, Roose had to acquiesce. That explains his fatalism with
respect to his future sons with Walda, especially since Walda is not a
northwoman.
15. Monster and Maidens
Just before the escape from Winterfell, Theon reflects:
In songs, the hero always saved the maiden from the
monster’s castle, but life was not a song, no more than Jeyne was
Arya Stark.
(Theon, ADwD)
There is a children game called "Monsters and Maiden" played throughout
ACoK and ASoS. Bran, Rickon and the Freys, play it:
After that, oddly, Rickon decided he liked the Walders.
They never played lord of the crossing again, but they played other
games— monsters and maidens, rats and cats, come-into-my-castle, all
sorts of things.
(Bran, ACoK)
Edric Storm, Shireen and Patchface play it as well.
When the fool saw Davos, he jerked to a sudden halt, the
bells on his antlered tin helmet going ting-a-ling, ting-a-ling.
Hopping from one foot to the other, he sang, “ Fool’s blood, king’s
blood, blood on the maiden’s thigh, but chains for the guests and
chains for the bridegroom, aye aye aye.” Shireen almost caught him
then, but at the last instant he hopped over a patch of bracken and
vanished among the trees. The princess was right behind him. The
sight of them made Davos smile.
He had turned to cough into his gloved hand when another small shape
crashed out of the hedge and bowled right into him, knocking him off
his feet.
The boy went down as well, but he was up again almost at once. “What
are you doing here?” he demanded as he brushed himself off. Jet-
black hair fell to his collar, and his eyes were a startling blue.
“You shouldn’t get in my way when I’m running.”
“No,” Davos agreed. “I shouldn’t.” Another fit of coughing seized
him as he struggled to his knees.
“Are you unwell?” The boy took him by the arm and pulled him to his
feet. “Should I summon the maester?”
Davos shook his head. “A cough. It will pass.”
The boy took him at his word. “We were playing monsters and
maidens,” he explained. “I was the monster. It’s a childish game but
my cousin likes it.
(Davos II, ASoS)
Arya played it as well, foreshadowing perhaps the pursuits of her
impersonator by Ramsay.
She used to hide in the crypts of Winterfell when she
was little, and play games of come-into-my-castle and monsters and
maidens amongst the stone kings on their thrones.
(Arya IV, ASoS)
Even Shae and Tyrion mentioned the game.
“You have to catch me.” Her voice came from his left.
“M’lord must have played monsters and maidens when he was
little.”
(Tyrion VII, ASoS)
It appears that the game is about a maiden trying to escape the lair of
a monster. It seems that in Dragonstone, it was a three players game,
with perhaps the third player as the hero who saves the maiden.
I think Ramsay is playing a version of the game for real. The clearest
description of Ramsay's "amusements" comes from Wyman Manderly.
“He is a great hunter,” said Wyman Manderly, “and women
are his favorite prey. He strips them naked and sets them loose in
the woods. They have a half day’s start before he sets out after
them with hounds and horns. From time to time some wench escapes and
lives to tell the tale. Most are less fortunate. When Ramsay catches
them he rapes them, flays them, feeds their corpses to his dogs, and
brings their skins back to the Dreadfort as trophies. If they have
given him good sport, he slits their throats before he skins them.
Elsewise, t’other way around.”
(Davos IV, ADwD)
It appears that the hunt follows a regular pattern. Here is Ramsay,
disguised as Reek, in Winterfell.
The man laughed. “The wretch is dead.” He stepped
closer. “The girl’s fault. If she had not run so far, his horse
would not have lamed, and we might have been able to flee. I gave
him mine when I saw the riders from the ridge. I was done with her
by then, and he liked to take his turn while they were still warm. I
had to pull him off her and shove my clothes into his hands—calfskin
boots and velvet doublet, silver- chased swordbelt, even my sable
cloak. Ride for the Dreadfort, I told him, bring all the help you
can. Take my horse, he’s swifter, and here, wear the ring my father
gave me, so they’ll know you came from me. He’d learned better than
to question me. By the time they put that arrow through his back,
I’d smeared myself with the girl’s filth and dressed in his rags.
They might have hanged me anyway, but it was the only chance I saw.”
(Theon VI, ACoK)
So Ramsay wears possibly his
best clothes for a chase in the
woods. I wonder about the significance of the ring given by
Roose. Here is Theon about his escape with Kyra.
He had run before. Years ago, it seemed, when he still
had some strength in him, when he had still been defiant. That time
it had been Kyra with the keys. She told him she had stolen them,
that she knew a postern gate that was never guarded. “Take me back
to Winterfell, m’lord,” she begged, pale-faced and trembling. “I
don’t know the way. I can’t escape alone. Come with me, please.” And
so he had. The gaoler was dead drunk in a puddle of wine, with his
breeches down around his ankles. The dungeon door was open and the
postern gate had been unguarded, just as she had said. They waited
for the moon to go behind a cloud, then slipped from the castle and
splashed across the Weeping Water, stumbling over stones,
half-frozen by the icy stream. On the far side, he had kissed her.
“You’ve saved us,” he said. Fool. Fool.
It had all been a trap, a game, a jape. Lord Ramsay loved the chase
and preferred to hunt two-legged prey. All night they ran through
the darkling wood, but as the sun came up the sound of a distant
horn came faintly through the trees, and they heard the baying of a
pack of hounds. “We should split up,” he told Kyra as the dogs drew
closer. “They cannot track us both.” The girl was crazed with fear,
though, and refused to leave his side, even when he swore that he
would raise a host of ironborn and come back for her if she should
be the one they followed.
Within the hour, they were taken. One dog knocked him to the ground,
and a second bit Kyra on the leg as she scrambled up a hillside. The
rest surrounded them, baying and snarling, snapping at them every
time they moved, holding them there until Ramsay Snow rode up with
his hunts-men. He was still a bastard then, not yet a Bolton. “There
you are,” he said, smiling down at them from the saddle. “You wound
me, wandering off like this. Have you grown tired of my hospitality
so soon?” That was when Kyra seized a stone and threw it at his
head. It missed by a good foot, and Ramsay smiled. “You must be
punished.”
(Reek I, ADwD)
So the hunt begins at sunrise and horns are blown (what for?).
I conclude from all this that Ramsay is not purely satisfying his
sadistic urges.
He follows a ritual. Since that ritual
has made its way into children games, it might refer to a myth, or to
legendary history. The most obvious model I could find is in Old
Nan's stories:
Old Nan nodded. “In that darkness, the Others came for
the first time,” she said as her needles went click click click.
“They were cold things, dead things, that hated iron and fire and
the touch of the sun, and every creature with hot blood in its
veins. They swept over holdfasts and cities and kingdoms, felled
heroes and armies by the score, riding their pale dead horses and
leading hosts of the slain. All the swords of men could not stay
their advance, and even maidens and suckling babes found no pity in
them. They hunted the maids through frozen forests, and fed their
dead servants on the flesh of human children.”
(Bran, AGoT)
Something doesn't quite fit with the notion that Ramsay is imitating the
Others. The Others hunted maids during the Long Night, but Ramsay's
hunts take place at sunrise, as if Ramsay was an ally or an incarnation
of the sun. (It's not said clearly that the escape happened under full
moon, so I refrain from saying that Ramsay's hunt is about the sun
chasing the moon.) Moreover the use of horns recall the warning
practices of the Night's Watch. So I reserve my judgement concerning the
real significance of the hunt.
There is an element which recall the Others. Ramsay gives the name of
his dead victims to his new bitches, those bitches in turn will help
making new victims. That recalls the pattern of the Others who kill by
sending their wights and would turn their victims into wights. So we are
left with an analogy, schematically represented by: Ramsay=Other,
bitches=wights, women=humans. Even Theon, in the lowest form of Reek, is
supposed to live and eat with the dogs.
His identity has been
destroyed and he is no more than Ramsay's creature. Ramsay even
insists that all desire of autonomy is to be erased. Isn't
it precisely the fate of humans turned into wights?
16. Ramsay's brilliance… and Red Helm's prescience
Ramsay's ascension to power is astounding. He started as a bastard in a
mill, without any friend or support, and the crown of the north is now
within his reach.
We see a few characters of low birth rise high in Westeros: Littlefinger
through his exceptional intelligence and his business sense, Mance
because of the respect he earns among wildlings, Davos because of his
exploits as a smuggler and the trust he inspires in Stannis, Qyburn
because of his arcane knowledge, Taena Merryweather via her beauty and
her opportunism. But Ramsay has no exceptional disposition, and no
friends.
In a world where ambition is largely bounded by birth, Ramsay's
audacity has been rewarded beyond all reason.
Consider some of the key events of his ascendancy.
- The first of those is the boldness of the washerwoman coming to
the Dreadfort and demanding that Roose provided support for her son.
It was in spite of the knowledge that Roose's standard behavior
would have been to denounce his paternity and to get rid of the baby
at once.
- Later, Domeric's death led Roose to accept Ramsay at the
Dreadfort, despite his professed belief that Ramsay was Domeric's
murderer. If Roose really thinks that Ramsay killed Domeric, it
defies belief that Ramsay has been admitted as his heir. In any
case, Domeric's death has been providential for Ramsay.
- The forced wedding to Lady Hornwood and the subsequent murder
should have marked Ramsay as a criminal, deserving death or the
Wall. Eventually, Ramsay has been confirmed in the lordship of the
Hornwood.
- The identity switch with Reek is another bold move. It was forced
perhaps. But it led Ramsay providentially to Theon.
- The alliance of "Reek" with Theon was another risky initiative.
Instead of betraying Theon, liberating Winterfell, and seeking thus
rehabilitation, Ramsay took the very uncertain road of siding with
the ironmen.
- At Winterfell's gate, his attack on the northmen host was a
military triumph despite being outnumbered three-to-one. But it
should have damned Ramsay for all time to come in the eyes of the
northmen.
- The Red Wedding and the annihilation of the Starks saved Ramsay
from the return of the Young Wolf. Instead, Ramsay got legitimized
by the Iron Throne. As a reward, he received the hand of "Arya"
Stark and the seat of Winterfell.
It would seem Ramsay has been blessed by the old gods, or, I would
suggest, by the crueler gods that some wildlings like Craster worship.
In any case, whether Providence or some invisible hand is on his side,
it is tempting to compare Ramsay to the boy who poses as Aegon Targaryen
sixth of the name. Their destinies are parallel in many ways. Aegon
might not be the son of Rhaegar, and he might have been put into
Connington's care by other powers. Those other powers seem to have
arranged that "Aegon" would receive help for the conquest of the Iron
Throne.
Ramsay proved prescient in one occasion. When Theon is desperate in
Winterfell, Ramsay, disguised as Reek, promises help.
“Do as you say and you’ll not find me ungrateful. You
can name your own reward.”
“Well, m’lord, I haven’t had no woman since I was with Lord Ramsay,”
Reek said. “I’ve had my eye on that Palla, and I hear she’s already
been had, so...”
He had gone too far with Reek to turn back now. “Two hundred men and
she’s yours. But a man less and you can go back to fucking pigs.”
(Theon V, ACoK)
After the conquest of Winterfell, Ramsay asks for his prize.
“And now, my sweet prince, there was a woman promised
me, if I brought two hundred men. Well, I brought three times as
many, and no green boys nor fieldhands neither, but my father’s own
garrison.”
Theon had given his word. This was not the time to flinch. Pay him
his pound of flesh and deal with him later. “Harrag,” he said, “go
to the kennels and bring Palla out for... ?”
“Ramsay.” There was a smile on his plump lips, but none in those
pale pale eyes. “Snow, my wife called me before she ate her fingers,
but I say Bolton.” His smile curdled. “So you’d offer me a kennel
girl for my good service, is that the way of it?”
There was a tone in his voice Theon did not like, no more than he
liked the insolent way the Dreadfort men were looking at him. “She
was what was promised.”
“She smells of dogshit. I’ve had enough of bad smells, as it
happens. I think I’ll have your bedwarmer instead. What do you call
her? Kyra?”
“Are you mad?” Theon said angrily. “I’ll have you-”
(Theon VI, ACoK)
But Ramsay would have somebody else entirely from Theon.
“Who comes?” His lips were moist, his neck red above his
collar. “Who comes before the god?”
Theon answered. “Arya of House Stark comes here to be wed. A woman
grown and flowered, trueborn and noble, she comes to beg the
blessings of the gods. Who comes to claim her?”
“Me,” said Ramsay. “Ramsay of House Bolton, Lord of the Hornwood,
heir to the Dreadfort. I claim her. Who gives her?”
“Theon of House Greyjoy, who was her father’s ward.” He turned to
the bride. “Lady Arya, will you take this man?”
(The Prince of Winterfell, ADwD)
It was probably literary foreshadowing, especially since Ramsay asks for
Kyra, and nobody else. In effect a Greenseer could have foreseen the
wedding in front of the Winterfell heart tree and communicated the
corresponding vision through dreams. But I can't help wonder if Ramsay's
mother did not tell him once : "In a dream, I saw that a Prince gave you
a Stark heiress to marry in front of the heart tree in Winterfell", or
something to that effect.
17. Half-human Children
If indeed there is a mythic origin in Ramsay's hunts, the wildlings seem
aware of the significance. It might be that the original Reek has
wildling roots. When Ramsay impersonates Reek in Winterfell he says.
“I was born up north here. I know many a man, and many a
man knows Reek.”
(Bran V, ACoK)
Moreover, Reek's particular way of speaking (here it's an imitation by
Ramsay) reminds me of Craster's.
“Haven’t fucked no one since they took me, m’lord.
Heke’s me true name. I was in service to the Bastard o’ the
Dreadfort till the Starks give him an arrow in the back for a
wedding gift.”
(Bran VI, ACoK)
Reek was a man-at-arm at the Dreadfort. Hence it's interesting to note
how different he is from the Bastard's boys.
Damon Dance-for-Me sat greasing up his whip. “Reek,” he
called. He tapped the whip against his calf as a man might do to
summon his dog. “You are starting to stink again, Reek.”
Theon had no reply for that beyond a soft “Yes.”
“Lord Ramsay means to cut your lips off when all this is done,”
said Damon, stroking his whip with a greasy rag.
My lips have been between his lady’s legs. That insolence cannot
go un-punished. “As you say.” Luton guffawed. “I think he wants it.”
“Go away, Reek,” Skinner said. “The smell of you turns my
stomach.”
(A Ghost in Winterfell, ADwD)
Here is Craster.
“Had no good southron wine up here for a bear’s night. I
could use me some wine, and a new axe. Mine’s lost its bite, can’t
have that, I got me women to protect.”
(Jon III, ACoK)
Craster's mother was from the village of Whitetree. It's probably the
place where Craster learnt to speak. Craster's speaking manners might be
typical of that village. And they are not those of Craster's wives.
There seem to be some physical resemblance between Ramsay and Craster.
Here is Craster's description by Jon:
He looked to be a powerful man, though well into the
winter of his days now, his mane of hair grey going to white. A flat
nose and a drooping mouth gave him a cruel look, and one of his ears
was missing.
(Jon III, ACoK)
In Sam's eyes, Craster appears as follows:
Craster was a thick man made thicker by the ragged
smelly sheepskins he wore day and night. He had a broad flat nose, a
mouth that drooped to one side, and a missing ear. And though his
matted hair and tangled beard might be grey going white, his hard
knuckly hands still looked strong enough to hurt.
(Samwell II, ASoS)
The broad flat nose and the thickness seem to correspond to Ramsay
described as follows above:
Yet for all the splendor of his garb,
he remained an ugly man, big-boned and slope-shouldered, with a
fleshiness to him that suggested that in later life he would run to
fat. His skin was pink and blotchy, his nose broad, his mouth small,
his hair long and dark and dry. His lips were wide and meaty, but the
thing men noticed first about him were his eyes. He had his lord
father’s eyes—small, close-set, queerly pale.
The story of Craster's birth is vaguely similar to Ramsay's.
“Craster’s more your kind than ours. His father was a
crow who stole a woman out of Whitetree village, but after he had
her he flew back t’ his Wall. She went t’ Castle Black once t’ show
the crow his son, but the brothers blew their horns and run her off.
Craster’s blood is black, and he bears a heavy curse.”
(Jon III, ASoS)
That reminds me of Robett Glover's characterization of Ramsay.
“The evil is in his blood,” said Robett Glover. “He is a
bastard born of rape. A Snow, no matter what the boy king says.”
“Was ever snow so black?” asked Lord Wyman.
(Davos IV, ADwD)
That echoes what Roose says of Ramsay:
“His blood is bad. He needs to be leeched. The leeches
suck away the bad blood, all the rage and pain. No man can think so
full of anger. Ramsay, though ... his tainted blood would poison
even leeches, I fear.”
(Reek III, ADwD)
So Ramsay and Craster would seem to suffer from the same curse. There
are disturbing corresponding details between them, like the fondness for
pinning tongues on the wall. Craster recalls when Mance sent an envoy.
He sends a rider, tells me I must leave my own keep to
come grovel at his feet. I sent the man back, but kept his tongue.
It’s nailed to that wall there.”
(Jon III, ACoK)
Ramsay tells Theon during his wedding night.
Lord Ramsay said. “And be quick about it. If she’s not
wet by the time I’m done disrobing, I will cut off that tongue of
yours and nail it to the wall.”
(The Prince of Winterfell, ADwD)
They both lack empathy and even patience for wounded, dying people. Here
is Craster.
“That one’s dead.” Craster eyed the man with
indifference as he worried at a sausage. “Be kinder to stick a knife
in his chest than that spoon down his throat, you ask me.”
(Samwell II, ASoS)
And now Ramsay in Winterfell.
A dozen more were wounded and one of the Bastard’s Boys,
Luton, was dying noisily, crying for his mother as he tried to shove
a fistful of slimy entrails back through a gaping belly wound. Lord
Ramsay silenced him, yanking a spear from one of Steelshanks’s men
and driving it down through Luton’s chest.
(Theon, ADwD)
We have seen already the analogy between Ramsay's mother and Gilly. Both
Ramsay, as a baby, and Gilly's son are compared to monsters. Roose
recalls Ramsay as
squalling red monster. Val calls Gilly's
son, a particularly noisy baby,
Monster. The term monster is
not a cute nickname in the north, especially for the wildlings. Recall
what Ygritte said of children born of incest.
Women who bed brothers or fathers or clan kin offend the
gods, and are cursed with weak and sickly children. Even monsters.
(Jon III, ASoS)
It's not a playful modern word. It has a sinister meaning. Gilly's son
is extraordinarily noisy. Indeed Selyse says of Dalla, as she is unaware
of the baby exchange:
“—mother to that squalling babe who keeps us awake at
night.
(Jon XI, ADwD)
So there is a sort of analogy between Ramsay and Craster. Both can't
accept to be called bastard. In fact the name-calling precipitated the
bloodbath at Craster's Keep.
“Bloody bastard!” Sam heard one of the Garths curse. He
never saw which one.
“Who calls me bastard?” Craster roared, sweeping platter and meat
and wine cups from the table with his left hand while lifting the
axe with his right.
“It’s no more than all men know,” Karl answered.
(Samwell II, ASoS)
So far, we have just analogies between Ramsay and Craster – no
proof.
However, one wonders what do Craster's sons become after having been
given to the Others. We have seen that Ramsay doesn't look like Roose.
There is the suspicion that Roose's hand has been forced somehow to
accept Ramsay as his son. Does the legend reported by Old Nan at the
very first page of the first chapter of the book find an echo in Ramsay?
And their women lay with the Others in the Long Night to
sire terrible half-human children.
(Bran I, AGoT)
Half-human creatures do exist: the Targaryens have the blood of the
dragons, the Umbers and Hodor seem partly giant, the Ghost of High Heart
seems partly Child of the Forest, the Reeds are suspect as well, Lord
Godric has the mark of the Borells... To return to the Others, Jon Snow
recalls the story at Craster's Keep.
“At Winterfell one of the serving women told us
stories,” Jon went on. “She used to say that there were wildlings
who would lay with the Others to birth half-human children.”
“Hearth tales. Does Craster seem less than human to you?” In
half a hundred ways. “He gives his sons to the wood.”
A long silence. Then: “Yes.” And “Yes,” the raven muttered,
strutting. “Yes, yes, yes.” “You knew?”
“Smallwood told me. Long ago. All the rangers know, though few will
talk of it.”
“Did my uncle know?”
“All the rangers,” Mormont repeated. “You think I ought to stop him.
Kill him if need be.” The Old Bear sighed. “Were it only that he
wished to rid himself of some mouths, I’d gladly send Yoren or
Conwys to collect the boys. We could raise them to the black and the
Watch would be that much the stronger. But the wildlings serve
crueler gods than you or I. These boys are Craster’s offerings. His
prayers, if you will.”
(Jon III, ACoK)
Since the Others are ice creatures, with a strange material existence
(they do not leave traces on the snow, they liquify when hit by
dragonglass) it might not be reasonable that they beget children in
natural biological way. Are the half-human creatures the product of some
sorcery, or some manipulation? Is the impregnation purely at a spiritual
level?
We have been waiting for the Others to arrive since the beginning of the
story. We have been led to think that they will come as a sort of alien
army in the cold night commanding dead servants.
I am tempted
to think that the story of their arrival might be different.
If the Others are so important to the story, I suspect they will come
through a human channel.
Are the snowmen built over the walls of Winterfell an omen of
their unseen influence?
Sentries crowded into the guard turrets to warm
half-frozen hands over glowing braziers, leaving the wallwalks to
the snowy sentinels the squires had thrown up, who grew larger and
stranger every night as wind and weather worked their will upon
them.
(A Ghost in Winterfell, ADwD)
The chief architect of the army of snowmen is Ramsay's squire.
He might have taken the guards for a pair of Little
Walder’s snowmen if he had not seen the white plumes of their
breath.
(A Ghost in Winterfell, ADwD)
Seen from the moral point of view, Ramsay is hardly human. He seems
pathologically devoid of empathy. Contrast with the remorse felt by
Theon after his crimes in Winterfell. Ramsay murdered children in cold
blood, he inflicts suffering whenever he can, he has no grief over the
death of his best friend Reek. We see him having feelings only for his
mother.
His sense of smell is wrong: he enjoyed the company of the foul smelling
Reek, as Roose explains to Theon.
“I knew the first Reek. He stank, though not for want of
washing. I have never known a cleaner creature, truth be told. He
bathed thrice a day and wore flowers in his hair as if he were a
maiden. Once, when my second wife was still alive, he was caught
stealing scent from her bedchamber. I had him whipped for that, a
dozen lashes. Even his blood smelled wrong. The next year he tried
it again. This time he drank the perfume and almost died of it. It
made no matter. The smell was something he was born with. A curse,
the smallfolk said. The gods had made him stink so that men would
know his soul was rotting. My old maester insisted it was a sign of
sickness, yet the boy was otherwise as strong as a young bull. No
one could stand to be near him, so he slept with the pigs ... until
the day that Ramsay’s mother appeared at my gates to demand that I
provide a servant for my bastard, who was growing up wild and
unruly. I gave her Reek. It was meant to be amusing, but he and
Ramsay became inseparable. I do wonder, though ... was it Ramsay who
corrupted Reek, or Reek Ramsay?”
(Reek III, ADwD)
Before we return to the Ramsay's sense of smell: there is a corrupting
influence of Ramsay. We see it on Little Walder, on the Bastard's boys.
Arnolf Karstark has allied himself with Ramsay, and his son Cregan seems
now to emulate Ramsay.
Cregan Karstark had turned up a day behind his niece.
With him came four mounted men-at-arms, a huntsman, and a pack of
dogs, sniffing after Lady Alys as if she were a deer.
(Jon X, ADwD)
Especially we saw Ramsay's influence on Theon, since Ramsay inspired the
worst crime in Winterfell. Ramsay was both the inspirator and the
punisher of Theon – a double role traditionally ascribed to the Devil
himself.
He never wanted to do any harm to Bran or Rickon.
Reek made him kill those boys, not him Reek but the other one.
(Theon, TWoW)
There is one other sign of the Others' corrupting moral influence that I
can see: it is the depravity of Craster's Keep.
His bride's natural smell is repulsive to Ramsay to the point that he
needs to have her bath before he touches her. The only other women he
seems to be willing to put his hands on are those he has hunted and
raped. And the sense of smell is very much related to the moral sense
(as psychologists among others have noted, the word disgust has a moral
meaning), as we can see in the story of Reek with his
rotting soul.
The hunts, the symbolic transformation of his victims into pets, the
real and total enslavement of Theon, the various little details that
recall Craster, the inhuman cruelty, the tainted blood, the manifest
destiny, all leave me feeling that Ramsay bears the mark of the Others.